Description : The cartoons focus on a delightful array of familiar situations and characters, including teachers (from the underappreciated to the overrated), students (from the overachievers to the slackers), and parents (from the demanding to the uninterested). Such New Yorker greats as Charles Barsotti, William Hamilton, Roz Chast, and many others examine education from every perspective with the insightful wit that is the signature of the magazine's cartoons.
Description : Since its earliest days, The New Yorker has been a tastemaker–literally. As the home of A. J. Liebling, Joseph Wechsberg, and M.F.K. Fisher, who practically invented American food writing, the magazine established a tradition that is carried forward today by irrepressible literary gastronomes, including Calvin Trillin, Bill Buford, Adam Gopnik, Jane Kramer, and Anthony Bourdain. Now, in this indispensable collection, The New Yorker dishes up a feast of delicious writing on food and drink, seasoned with a generous dash of cartoons. Whether you’re in the mood for snacking on humor pieces and cartoons or for savoring classic profiles of great chefs and great eaters, these offerings, from every age of The New Yorker’s fabled eighty-year history, are sure to satisfy every taste. There are memoirs, short stories, tell-alls, and poems–ranging in tone from sweet to sour and in subject from soup to nuts. M.F.K. Fisher pays homage to “cookery witches,” those mysterious cooks who possess “an uncanny power over food,” while John McPhee valiantly trails an inveterate forager and is rewarded with stewed persimmons and white-pine-needle tea. There is Roald Dahl’s famous story “Taste,” in which a wine snob’s palate comes in for some unwelcome scrutiny, and Julian Barnes’s ingenious tale of a lifelong gourmand who goes on a very peculiar diet for still more peculiar reasons. Adam Gopnik asks if French cuisine is done for, and Calvin Trillin investigates whether people can actually taste the difference between red wine and white. We journey with Susan Orlean as she distills the essence of Cuba in the story of a single restaurant, and with Judith Thurman as she investigates the arcane practices of Japan’s tofu masters. Closer to home, Joseph Mitchell celebrates the old New York tradition of the beefsteak dinner, and Mark Singer shadows the city’s foremost fisherman-chef. Selected from the magazine’s plentiful larder, Secret Ingredients celebrates all forms of gustatory delight. From the Hardcover edition.
Description : Know that for every exuberant 'I love you' from a three-year-old, you're bound to get a, as they say, developmentally appropriate 'I hate you' from a thirteen-year-old. The trick is to embrace the one and let go of the other. . . . Laughter helps." -Cartoonist Barbara Smaller, introduction to the Book of Moms Perfect for Mother's Day, 100 sarcastically pitch-perfect cartoons culled from The New Yorker archives to celebrate Mom's unique motherly mom-ness. More The New Yorker Magazine Book of Mom Cartoons Since 1925, The New Yorker has cultivated the creme de la creme of cartooning elite, a vanguard of sketching artists with astute wit and clever perceptions of life and living. Inside this special collection, such New Yorker cartooning greats as Charles Barsotti, Robert Mankoff, and Barbara Smaller offer up 100 black-and-white single-panel cartoons in tribute to a diverse array of moms, ranging from football and CEO moms to tattooed and jack-in-the-box moms. A witty introduction by New Yorker cartoonist Barbara Smaller opens this homage by calling attention to a few of her favorite cartoons within the collection, including: * Roz Chast's "Bad Mom cards, where Lucy, Gloria, and others are guilty, guilty, guilty of such crimes as not making Play-Doh from scratch or serving orange soda." * Sam Gross's cartoon depicting a "primordial ooze rising out of a test tube . . . inquiring hopefully of the scientist, 'Are you my mommy?'"
Description : Only The New Yorker could fetch such an unbelievable roster of talent on the subject of man’s best friend. This copious collection, beautifully illustrated in full color, features articles, fiction, humor, poems, cartoons, cover art, drafts, and drawings from the magazine’s archives. The roster of contributors includes John Cheever, Susan Orlean, Roddy Doyle, Ian Frazier, Arthur Miller, John Updike, Roald Dahl, E. B. White, A. J. Liebling, Alexandra Fuller, Jerome Groopman, Jeffrey Toobin, T. Coraghessan Boyle, Ogden Nash, Donald Barthelme, Jonathan Lethem, Mark Strand, Anne Sexton, and Cathleen Schine. Complete with a Foreword by Malcolm Gladwell and a new essay by Adam Gopnik on the immortal canines of James Thurber, this gorgeous keepsake is a gift to dog lovers everywhere from the greatest magazine in the world.
Description : David Remnick is a man much praised for his powers of observation, description and analysis, and Reporting contains his very best pieces from the last fifteen years. Here is Remnick on Don DeLillo, Philip Roth and The Sopranos; and here he is writing about Solzhenitsyn returning to Russia after nearly 20 years in exile, or on the failure of democracy in Mubarak’s Egypt. Without doubt one of America's most gifted and widely read journalists, Remnick's style combines compassion, empathy, exuberance and humour, and in Reporting he brings the written word to life, describing the world with extraordinary vividness and exceptional depth.
Description : "A hilarious hole-in-one for golfers and cartoon-lovers alike, The New Yorker Book of Golf Cartoons, Second Edition brings together over a hundred classic images from across the magazine's eighty-plus-year history. Edited by Robert Mankoff, acclaimed cartoonist and cartoon editor at The New Yorker, and featuring work from legendary artists including Charles Addams, Roz Chast, Whitney Darrow Jr., Edward Koren, George Price, William Steig, and many others, the book is a side-splitting tribute to the game."--Amazon.com.
Description : These puzzles - taken from the celebrated pages of The New Yorker magazine - offer more challenges per 'empty square' than the average crossword! Every cryptic has a twist, a little something extra, a double-dose of difficulty. That's because the clues all have two parts: a definition half and a wordplay half, with anagrams, reversals, containers, and lots of other word games built in. For example, here's a clue: 'Reportedly lost in fog. (4 letters).' Got it? It's 'mist' - a homonym for 'missed' and also a synonym for 'fog'. An introduction enlightens you on all the intricacies of solving cryptic crosswords, and of course the solutions appear at the end with tricks behind the clues explained. It may take a little practice to get the hang of these, but once you do, you'll be hooked for good!
Description : From the pages of America’s most inﬂuential magazine come eight decades of holiday cheer—plus the occasional comical coal in the stocking—in one incomparable collection. Sublime and ridiculous, sentimental and searing, Christmas at The New Yorker is a gift of great writing and drawing by literary legends and laugh-out-loud cartoonists. Here are seasonal stories, poems, memoirs, and more, including such classics as John Cheever’s 1949 story “Christmas Is a Sad Season for the Poor,” about an elevator operator in a Park Avenue apartment building who experiences the ﬁckle power of charity; John Updike’s “The Carol Sing,” in which a group of small-town carolers remember an exceptionally enthusiastic fellow singer (“How he would jubilate, how he would God-rest those merry gentlemen, how he would boom out when the male voices became King Wenceslas”); and Richard Ford’s acerbic and elegiac 1998 story “Crèche,” in which an unmarried Hollywood lawyer spends an unsettling holiday with her sister’s estranged husband and kids. Here, too, are S. J. Perelman’s 1936 “Waiting for Santy,” a playlet in the style of Clifford Odets labor drama (the setting: “The sweatshop of Santa Claus, North Pole”), and Vladimir Nabokov’s heartbreaking 1975 story “Christ-mas,” in which a father grieving for his lost son in a world “ghastly with sadness” sees a tiny miracle on Christmas Eve. And it wouldn’t be Christmas—or The New Yorker—without dozens of covers and cartoons by Addams, Arno, Chast, and others, or the mischievous verse of Roger Angell, Calvin Trillin, and Ogden Nash (“Do you know Mrs. Millard Fillmore Revere?/On her calendar, Christmas comes three hundred and sixty-ﬁve times a year”). From Jazz Age to New Age, E. B. White to Garrison Keillor, these works represent eighty years of wonderful keepsakes for Christmas, from The New Yorker to you. From the Hardcover edition.
Description : Offers a critical and cultural history of "The New Yorker" from its founding in 1919 through 1987, discussing the evolution of the magazine's content over the years and its role in American cultural life