All The Kings Men

Willie Stark's obsession with political power leads to the ultimate corruption of his gubernatorial administration.

Willie Stark's obsession with political power leads to the ultimate corruption of his gubernatorial administration

Robert Penn Warren is one of the best-known and most consequential Kentucky writers of the twentieth century and the only American writer to have won three Pulitzers in two different genres. All the King's Men, generally considered one of the finest novels ever written on American politics, transcends sensationalism and topicality to stand as art. It was a bestseller, won the Pulitzer Prize, and became an Academy Award--winning movie. Depicting the rise and fall of a dictatorial southern politician -- modeled on Huey Long of Louisiana -- the timeless story and memorable characters raise questions about the importance of history, moral conflicts in public policy, and idealism in government. In Robert Penn Warren's All the King's Men: A Reader's Companion, author Jonathan S. Cullick considers the themes of this famous novel within the context of America's current political climate. He addresses the novel's continuing relevance and interviews a cross-section of elected and appointed officials, as well as journalists, in Kentucky to explore how Warren's novel has influenced their work and approach to politics. By focusing on what Warren's novel has to say about power, populism, ethics, and the force of rhetoric, Cullick encourages readers to think about their own identities and responsibilities as American citizens. This volume promises to be not only an indispensable companion to All the King's Men but it also provides context and a new diverse set of perspectives from which to understand this seminal novel.

Arriving in Los Angeles to reconcile with his lover, Ryan is caught up in the strongest earthquake to hit the city since records began. Even as he watches L.A. fall, he refuses to join the people running from the destruction. Instead, as the city burns, fires igniting high in the hills, he heads straight into the chaos to save Nathan. In a race against time to survive, both injured, with the earth shifting beneath their feet, Ryan and Nathan's only hope for survival is to escape before the aftershocks tear the ground apart and the all-consuming fires reach them. Can they outrun the destruction, or is it too late?

All the Kings Horses, All the Kings Men is a deeply moving account of the life of the author's son, previous to and following the discovery of the presence of a tumour in his bones, a result of Osteogenic Sarcoma. The story begins at the beginning - with Jonathan's birth. A first-time mother, the author has her life and her home carefully planned and prepared in anticipation of the arrival of 'Boots'. She is soon to realize that having a child is not something one can plan; they arive when they like and they occupy one's thoughts and affections to such an extent that all the best-laid plans for going back to her career make less and less sense. After a year, the author makes the decision to become a 'full-time, on-location mom'. The closeness that this allows to develop is to stand her and her son in good stead for the difficult time to come when Jonathan's illness is discovered. The author's prose is fluid and articulate, conveying with ease the deep love which she feels for her son. The description of these carefree early years draws the reader into their extraordinary story, so that he too feels affection for this boy at whom life is about to throw its worst, whilst the day-to-day struggle which is to follow is a lesson in courage for us all. This is a well-written book, with an important message for parents, parents-to-be, and anyone who has felt and given the precious love unique to parent and child.

Discusses the impact of Franklin Roosevelt, Robert Penn Warren, T. Harry Williams, Huey Long, Allard Lowenstein, and Oral Roberts upon American political culture

One of the country’s more perceptive younger critics, Louis Rubin is well known for his commentaries on the literature of the South. These essays—selected from his critical works over a period of more than a dozen years—reflect his wider concern with the whole spectrum of American literature. In the title essay Rubin treats “tired literary critics” and the often-heard pronouncement that the novel is dead. He argues that the response of novelists to our difficult and demanding times “will doubtless be what the response of writers to difficult and demanding times always has been: namely, difficult and demanding works of literature.” Another essay, “The Experience Difference: Southerners and Jews,” is a perceptive examination of the parallels in different factors and cultural experiences which brought Southern and Jewish writers to prominence. Rubin explores the potential pitfalls for Southern writers today in an essay called “Getting Out From Under William Faulkner.” Edgar Allan Poe’s position in American literary history and H.L. Mencken’s role as a literary critic and an “artist of destruction” who cleared the way and created an audience for the major American writers of the twenties are dealt with in other essays. The collection includes imaginative studies of Henry James, Mark Twain, Edmund Wilson, and Karl Shapiro. Several Southern writers, including Faulkner, Ellen Glasgow, Robert Penn Warren, Flannery O’Connor, and James Branch Cabell, also come under Rubin’s scrutiny.

As a man who disclaimed any kind of religious orthodoxy, Robert Penn Warren nonetheless found in Christianity "the deepest and widest metaphor for life." The significance he drew from it was one he expressed strictly in humanistic and natural terms: spiritual renewal and redemption were possible through engagement with literature and participation in the world. In Robert Penn Warren's Modernist Spirituality, Robert Koppelman explores the spiritual or religious dimension to Warren's work in light of his admitted agnosticism. Beginning with an overview of Warren's career as a Fugitive at Vanderbilt and then, later, as a formidable New Critic, Koppelman argues that Warren's regard for the spiritual aesthetic of both literary language and form can be traced to his early study of poetic metaphor. To illustrate Warren's mature vision, Koppelman centers his study on two novels and two poetry collections: All the King's Men, A Place to Come To, Promises: Poems 1954-1956, and Now and Then: Poems 1976-1978. He also examines the critical studies that concentrate on Warren's vision of time, history, and spiritual fulfillment, as well as those essays by Warren that complement his poems and novels in such a way as to elicit the reader's participation in the redemption of their narrators. Robert Penn Warren's Modernist Spirituality renews Warren's commitment to experiencing both literature and life as opportunities to participate in a realm of beauty and vision that is still open to contemporary readers.

The Process: A New Foundation in Art and Design is a compendium of 13 experimental projects designed to teach conceptual thinking and problem solving to art and design students. The projects, created by Judith Wilde and Richard Wilde, focus on developing formal excellence and a strong sense of aesthetics, along with the ability to generate new ideas. Each project is illustrated with multiple visual solutions, provided to inspire creativity and illustrate that there can be multiple solutions to a single problem.

Heimskringla is a collection of sagas about the Norwegian kings, beginning with the saga of the legendary Swedish dynasty of the Ynglings, followed by accounts of historical Norwegian rulers from Harald Fairhair of the 9th century up to the death of the pretender Eystein Meyla in 1177. Contents: Kings' Sagas Ynglinga Saga Halfdan the Black Saga Harald Harfager's Saga Hakon the Good's Saga Saga of King Harald Grafeld and of Earl Hakon Son of Sigurd King Olaf Trygvason's Saga Saga of Olaf Haraldson (St. Olaf) Saga of Magnus the Good Saga of Harald Hardrade Saga of Olaf Kyrre Magnus Barefoot's Saga Saga of Sigurd the Crusader and His Brothers Eystein and Olaf Saga of Magnus the Blind and of Harald Gille Saga of Sigurd, Inge, and Eystein, the Sons of Harald Saga of Hakon Herdebreid Magnus Erlingson's Saga

A Collection of Plays by Mark Frank: Volume III introduces ten new plays by playwright Mark Frank. In the hilarious comedy, I Swear By The Eyes of Oedipus! we get find Oedipus great, great, great, great...(well you get the point) grandson try to come to terms with the prophecy that he will sleep with his mother and kill his father. In Hurricane Iphigenia, Category 5, Tragedy in Darfur we are taken to the Sudan region in Africa by the Greek princess. Can she save the two million displaced Christian Africans hunted by the Islamic Janjaweed? In the drama, The Rainy Trails we go on a spiritual Native American journey with Rainy trying to tackle racism. In the Greek play Iphigenia Rising, Electra, Iphigenia and Orestes are faced with the blame game with the deaths of their parents from alcohol which will change their lives forever. In The Rock of Troy, the Iliad is revisited with all twenty-four books translated with no dialogue, only action and classical rock music from the seventies and eighties. Five new oneacts are also introduced in the book with the dramatic plays, The Mahmudiyah Incident, The Land of Never, and A Christmas Musical, and the comedies Trouble’s Revenge, a sequel to A Purrfect Life, and Humpty Dumpty: the musical?

Inside the covers of this book you will find the Real Scriptures of the Christian churches. Many church leaders know that other Christian churches hold to these books but they are only willing to state what they have been brain-washed to believe, that is about the other inferior books: "It isnt in the canon" (of scripture) formed of course by the early Catholic Church at various stages and Councils from the fourth century A.D. therefore no one has the right to change what is in the canon of scripture and the Catholic Church changed it in their councils not in agreement of other Christians but to hide their offence at the words of God. They would not even imagine that different churches have different scriptures and assume that the correct canon of scripture must be the one first declared by the Catholic Church and its priests but other priests must be considered demented or apostate, but they are not affected by the changes they made to the canon of Scripture over many centuries. They will not consider the canons of Orthodox Churches or others because they vary in different regions of the world. So is European Christianity based in the Vatican City right about all its holy scriptures while everyone elses church scriptures are false scriptures? Ethiopia it seems got most books of scripture right even with their translation into an ancient language!