Description : Death on the Installment Plan is a companion volume to Louis-Ferinand Céline's earlier novel Journey to the End of Night. Published in rapid succession in the middle 1930s, these two books shocked European literatue and world consciousness. Nominally fiction but more rightly called "creative confessions," they told of the author's childhood in excoriating Paris slums, of serves in the mud wastes of World War I and African jungles. Mixing unmitigated despair with Gargantuan comedy, they also created a new style, in which invective and obscenity were laced with phrases of unforgettable poetry. Céline's influence revolutionized the contemporary approach to fiction. Under a cloud for a period, his work is now acknowledged as the forerunner of today's "black humor."
Description : With an undercurrent of sensual excitement, C'line paints an almost unbearably vivid picture of society and the human condition.
Description : Celine is best known for his early novels Journey to the End of the Night (1932) and Death on the Instalment Plan (1936), but this delirious, fanatical and unreasonable account of the life of Semmelweiss predates them both. Ignacz Semmelweiss (1818-1865) was a doctor, now regarded as the father of the cure to antisepsis. His fellow doctors rejected both his reasoning and his methods, thereby causing many thousands of deaths in maternity wards across Europe. While originally written as a thesis towards his medical doctorate in 1924, it was not published until 1936.
Description : Kingston playwright R.C. Sherriff came to fame with his First World War drama Journeys End, which was based on his own experiences as a young officer on the Western Front. Its success made him a household name and opened the door to a highly lucrative career as a novelist, playwright and screenwriter in Hollywood and in Britain. Many of his movies The Invisible Man, Goodbye Mr Chips, The Four Feathers Odd Man Out, Quartet, and, of course, The Dam Busters are still well known, but the man behind them much less so. This book rediscovers Sherriff using his own words his letters, diaries, published and unpublished manuscripts to shed light on a man who ironically gained his greatest success from the trench warfare he found so difficult to bear.
Description : The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. Many have large casts and an equal mix of boy and girl parts. This play deals with the horror and futility of trench warfare, as Captain Stanhope and his officers await attack in their dugout.
Description : Completed the day before his death in 1961, Rigadoon, the most compassionate of Celine's novels, explores the ravages of war and its aftermath. Often comic and always angry, the first-person autobiographical narrator, with his wife and their cat in tow, takes the reader with him on his flight from Paris to Denmark after finding himself on the losing side of World War II. The train rides that encompass the novel are filled with madness and mercy, as Celine, a physician, aids refugees while ignoring his own medical needs.
Description : R C Sherriff’s Journey’s End is a syllabus text and the most famous play about World War One. First staged in 1928, this book tells the story of what went into the making of this extraordinary and powerful trench drama. It outlines Sherriff’s career from humble insurance clerk to infantry officer and his unforgettable 10 months on the western front before he was invalided home, lucky to be alive. Sherriff poured into his first professional play his personal experience of living in a front-line dug-out. Using his diary and letters home, the book charts his emotional life under fire and relates it directly to the play, its events and its characters. It also tells the story of Journey’s End’s incredible box office success across the world, a triumph which made its shy young author famous overnight. Taking in the history of the show right up to the most recent productions, Journey’s End: The Classic War Play Explored is a meditation on Journey’s End’s achievement as a war document, its fascination for audiences when it was first staged and its continuing grip on theatregoers and students today.