Catalog Of Copyright Entries Part 1 A Group 1 Books New Series

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Catalogue Of Copyright Entries Part 1 Books Group 1 Vol 13

Author by : Library Of Congress Copyright Office
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Publisher by : Forgotten Books
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Description : Excerpt from Catalogue of Copyright Entries, Part 1, Books, Group 1, Vol. 13: For the Year 1916; Nos. 1-149 Mildew manse, by Belle K. Maniates with illustra tions by William van Dresser. Boston, Little, Brown, and company, 1916. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Catalogue Of Copyright Entries

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Catalog Of Copyright Entries

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Catalogue Of Copyright Entries

Author by : Library of Congress. Copyright Office
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Catalog Of Copyright Entries New Series

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Publisher by : Copyright Office, Library of Congress
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Description : Part 1, Books, Group 1, v. 25 : Nos. 1-121 (March - December, 1928)


Catalog Of Copyright Entries Third Series

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Publisher by : Copyright Office, Library of Congress
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Description : Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals


Catalog Of Copyright Entries

Author by : Library of Congress. Copyright Office
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Hellenistic Pottery

Author by : Susan I. Rotroff
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Publisher by : ASCSA
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Description : Aims to establish a chronology and typology of Athenian Hellenistic ceramics as they are known from the Agora, although inital steps are taken towards defining pottery workshops. In volume one all the different forms are discussed, from drinking cups to ritual vessels. This is followed by a very large catalogue.


Four French Symbolists

Author by : Russell T. Clement
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Publisher by : Greenwood Publishing Group
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Description : The first comprehensive, scholarly sourcebook/research guide/bibliography on the major French Symbolists painters, this work includes nearly 3,000 entries covering a variety of materials. Each artist receives a primary and secondary bibliography with many annotated entries. Art works, personal names, and subject indexes facilitate easy access. The volume is designed for art historians, art students, museum and gallery curators, and others interested in this major art style of the last half of the 19th century and the first quarter of the 20th century. Art museums and art libraries in both the United States and abroad were gleaned for sources. This is a unique and substantial research tool. Symbolism is one of the most difficult art movements to define. Its primary meaning is the representation of things by symbols, by the imaginative suggestion of dreams and the subconscious through symbolic allusion and luxuriant decoration. The writings of Charles Baudelaire on the arts powerfully influenced the aesthetic theories of Symbolist artists and critics from 1860-1900, much as Baudelaire's poetics were the root of Symbolist literature. The Symbolist work, be it painting or poem, is above all personal and revelatory, precious not commonplace, reflecting and evoking a journey of the imagination. French Symbolist artists explored this style, attitude, and atmosphere from the 1880s to the early twentieth century. This sourcebook organizes biographical, historical, and critical information on four major French Symbolist artists: Pierre Puvis de Chavannes (1824-98), Gustave Moreau (1826-98), Odilon Redon (1840-1916), and Maurice Denis (1870-1943). The first three artists are recognized as originators of the movement. Denis is regarded as Symbolist's foremost theorist and profoundly religious practitioner. Although all four artists have been the focus of major retrospective exhibitions since 1990, no comprehensive sourcebook/bibliography exists.