Description : This bibliography cites those Canadian and foreign reference sourcesthat describe Canadian people, institutions, organizations,publications, art, literature, languages, and history. It lists booksof a general nature as well as works in the disciplines of history andthe humanities. These large divisions are then broken down by subject,genre, type of document, and province or territory. Titles of national,provincial/territorial, or regional interest are included in everysubject area when available. The contents of the book are indexed fourways: by name, title, French subject, and English subject. And tofacilitate browsing, the major reference books (those dealing with morethan one subject or a large geographical region) are alsocross-referenced.
Description : This book provides a basic guide to the study of the printed matter which has been produced in the United States. The great bulk of research in this field has occurred during the last half century, yet no comprehensive attempt has been made to record it. Recognizing the need for an up-to-date guide to such investigations, G. Thomas Tanselle has compiled a listing of the principal material dealing with printing and publishing in this country. In his introduction Mr. Tanselle surveys the research which has attempted to trace the history of printing and publishing in America from its inception to the present and explains how this material can be utilized effectively. In nine carefully arranged categories he covers bibliographies of imprints of particular localities; bibliographies of works in particular genres; listings of all editions and printings of works by individual writers; copyright records; catalogues of auction houses, book dealers, exhibitions, institutional libraries, and private collections; retrospective book-trade directories; studies of individual printers and publishers; general studies of printing and publishing; and checklists of secondary material. From the mass of material, an appendix selects 250 titles. Although the work is arranged so that the reader may easily locate relevant sections, a comprehensive index provides further aid in finding individual items. "A successful checklist," writes the author, "is not merely a work to be consulted for information but also a nucleus around which additional information can be gathered in a meaningful way; it provides a framework into which the community of workers in a field can place further references in an organized fashion." Guide to the Study of United States Imprints is a reference tool designed to serve both as a guide to research and as a practical manual for use in identifying, cataloguing, and recording printed matter. It will be of enormous value to scholars in American literature, history, and bibliography, to librarians, typographers, and bibliophiles, and to antiquarian book dealers and book collectors.
Description : Authored by cataloging librarians, educators, and information system experts, this book of essays addresses ideas and methods for tackling the modern challenges of cataloging and metadata practices. * Contains essays authored by experienced, passionate, and articulate catalogers, metadata librarians, and other experts * Includes original research survey results on librarians' views regarding current topics such as RDA, AACR2, FRBR, the use of upstream data, and cataloging on the Semantic Web * Contains an introductory timeline and history of cataloging and metadata from ancient to present times * Provides a chronological bibliography of selected works related to cataloging and libraries through 1800 and a more complete bibliography of related works * Includes a foreword and afterword by three internationally known and respected cataloging figures, Michael Gorman, Dr. Sheila S. Intner, and Dr. Susan S. Lazinger
Description : Winner of the Northeast Popular Culture Association’s Peter C. Rollins Book Award (2012) Winner of the ASCAP Deems Taylor Award (2012) Listening and Longing explores the emergence of music listening in the United States, from its early stages in the antebellum era, when entrepreneurs first packaged and sold the experience of hearing musical performance, to the Gilded Age, when genteel critics began to successfully redefine the cultural value of listening to music. In a series of interconnected stories, American studies scholar Daniel Cavicchi focuses on the impact of industrialization, urbanization, and commercialization in shaping practices of music audiences in America. Grounding our contemporary culture of listening in its seminal historical moment—before the iPod, stereo system, or phonograph—Cavicchi offers a fresh understanding of the role of listening in the history of music.