Description : Find the best reference sources on theatre, dance, and related theatre arts quickly and efficiently with this new resource. Arranged by type of material, the book describes and evaluates the most significant directories, encyclopedias, handbooks, bibliographies, and other works on theatre and dance. Additional chapters discuss core periodicals, electronic discussion lists, useful associations, societies, and important libraries and archives of theatrical and dance materials. Entries are designed to help readers choose appropriate sources for their purposes. Emphasis is on recent English-language works, but the book also includes significant older and foreign works.
Description : Starting in the 1870s, the barns, icehouses, gymnasiums and empty theaters of central Illinois provided the practice sites for aerial performers whose names still command reverence in the annals of American circus history. Meet Fred Miltimore and the Green Brothers, runaways from the Fourth Ward School who became the first Bloomington-born flyers. Watch Art Concello, a ten-year-old truant, become first a world-class flyer, then a famous trapeze impresario and finally Ringling Brothers and Barnum and Bailey Circus's most successful general manager. The entire art of the trapeze--instruction, training, performance and management--became a Bloomington-Normal industry during the tented shows' golden age, when finding a circus flying act without a connection to this area would have been virtually impossible.
Description : The circus has been both one of the most influential forms of international popular entertainment and yet at the same time remains almost entirely absent from academic studies of popular theatrical forms. This book offers readers an introduction to the cultural history of the circus and gives an account of the dominant characteristics of the circus's aesthetic practices and relates these to the sometimes precarious developments, changes and variations in its economic organization, architecture and social status. The book goes on to outline the particular challenges that this essentially live, dangerous and body-centred form presents to literary and film representation and does so through the particular examples of works by Charles Dickens, Federico Fellini and Wim Wenders. This wide-ranging and accessible book offers ways of thinking about the meaning and significance of the circus as a specifically modern form of art and entertainment.
Description : From Library Journal: Thirty-seven public, school, and academic librarians here share "how we did outreach good" and produce a joyful collection. These examples will inspire and fire up staff involved with event planning, programming, and extending their library's presence and effectiveness in the community. Beyond a bounty of ideas are practical suggestions and examples that can be used for the library to approach organizations, groups, and governmental entities for grant applications. While the creative is foremost, the financial and efficient are also addressed with the essential details of who did what, how it was funded, and the nature of follow-up. This reviewer's favorite example-the Edible Book Contest-comes complete with advice on cleanup and disasters. VERDICT Success always requires resources, dedication, and much planning, but even the smallest library with a handful of staff could benefit from this book. Wherever there is a need to increase awareness of library services in the community or reach out to groups that are under utilizing your library, this handbook can be useful.-J. Sara Paulk, Fitzgerald.
Description : Now available in paperback, this volume presents a theory of the circus as a secular ritual and introduces a method to analyze its performances as multimodal discourse. The book's fifteen chapters cover the range of circus specialties (magic, domestic and wild animal training, acrobatics, and clowning) and provide examples to show how cultural meaning is produced, extended and amplified by circus performances. Bouissac is one of the world's leading authorities on circus ethnography and semiotics and this work is grounded on research conducted over a 50 year span in Europe, Asia, Australia and the Americas. It concludes with a reflection on the potentially subversive power of this discourse and its contemporary use by activists. Throughout, it endeavours to develop an analytical approach that is mindful of the epistemological traps of both positivism and postmodernist license. It brings semiotics and ethnography to bear on the realm of the circus.
Description : How to Find Out About the Arts: A Guide to Sources of Information discusses the main sources of information, printed or otherwise, in the field of the arts. The book begins by describing where information on art careers can be found. Separate chapters then discuss how information on art can be traced in libraries by means of the catalogue and classification scheme; and turning to bibliographies when information on a particular aspect of art cannot be traced by these means. Subsequent chapters deal with sources such as encyclopedias and dictionaries, general indexes to reproductions and portraits, works on iconography, periodicals, directories, yearbooks, and sales records. This book aims to serve some of the needs of the student of art, the experienced artist, and indeed all of those with an intelligent interest in the arts. In particular, it should help those in libraries, colleges, and other educational institutions whose task it is to guide others to the right sources.
Description : More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Description : In the 1970s a group of men and women with few ties to the circus emerged from the counterculture revolution and took to the streets, where they discovered how to entertain an audience. At a time when the Big Top was beset by shabby excess, escalating costs, and competition from movies and TV, the young performers dedicated themselves to skill and intimacy, beginning the movement Ernest Albrecht describes as the "new American circus", a reinvention of the circus as an authentic form of art. The first - and most radical - aspect of this movement was its revival of the traditions of the great one-ring shows of Europe and Russia. Focusing on artistry, not spectacle, the new American circus incorporated such allied arts as music and dance and embraced a notion of ensemble that was compatible with the communal ethic of the seventies. Working from interviews and other primary sources, Albrecht traces this history to the present (including current controversies over animal performers and efforts to secure subsidies), sketching the leading players in the new circus and profiling the shows they founded.