Description : There is a genre of literature in which the work is purposely written within the diary format; this type of writings known as diary fiction. Diary novels traditionally reflect what the authors think real diaries are or are written as a parody of the diary as a negative model. The authors of diary novels choose the diary form because its artistic quality expresses a greater sense of immediacy to the reader than other forms of literature. The diary novel emphasizes the time of writing rather than the time that it is written about, so the diarist usually writes about events of the immediate past - events that occur between one entry and the next - or records his momentary ideas, reflections, or emotions. Turgenev's "Diary of a Superfluous Man" represents the marriage of a memoir and a diary, resulting in a work with more contemporaneous content than recounting of memories: a diary novel. Dostoevsky's Notes from Underground presents an interesting variation of the diary novel, which is devoid of any dated entries. Instead, it is divided into two parts. In the first part the narrator describes his present life and philosophical ideas. In the second half, he recounts the past. Therefore, like Turgenev's work, Notes from Underground combines aspects of the memoir and diary novel genre, but the overriding existence of real or present time writing, supports the sole diary novel classification.
Description : H. Porter Abbott explores the role of the personal diary and its use as a literary strategy in a number of representative works in fiction. He asserts that the device of the diary can give a work a unique literary reflexivity: the diary not only tells the tale but directly influences its development. This book serves as a guide to the field of diary fiction and at the same time sheds new light on issues central to the study of narrative and autobiography.
Description : Martinson examines the diaries of Virginia Woolf, Katherine Mansfield, Violet Hunt and Doris Lessing's fictional character Anna Wulf. She argues that these diaries (and others like them) are not entirely private writings, but that their authors wrote them knowing they would be read. She argues that the audience is the author's male lover or husband and describes how knowledge of this audience affects the language and content in each diary. She argues that this audience enforces a certain 'male censorship' which changes the shape of the revelations and of the writer herself.
Description : Contents: Definitions: Basic Qualities, Border-line Cases, Formal Objections; History and Evolution; Mimetics: Editorial Functions, External Form, Dates and Days; Verisimilitude: Start to Finish, Likely Stories, Narra-tease?; Parody; The Character of the Diarist: Life Sentences, Daily Mirrors, Now and Then; Appendix A: Titles of diary novels studied in translation; Appendix B: English titles of French diary novels mentioned in the text; Notes; Bibliography; Index^R
Description : In tracing the individual struggles encountered by each single diarist, Lombardi presents, as a result of the juxtaposition of so many different texts, a wider portrayal of women's struggles across five decades and four different national cultures."--BOOK JACKET.
Description : Using private diary writing as her model, Catherine Delafield investigates the cultural significance of nineteenth-century women's writing and reading practices. Beginning with an examination of non-fictional diaries and the practice of diary-writing, she assesses the interaction between the fictional diary and other forms of literary production such as epistolary narrative, the periodical, the factual document and sensation fiction. The discrepancies between the private diary and its use as a narrative device are explored through the writings of Frances Burney, Elizabeth Gaskell, Anne Brontë, Dinah Craik, Wilkie Collins and Bram Stoker. The ideological function of the diary, Delafield suggests, produces a conflict in fictional narrative between that diary's received use as a domestic and spiritual record and its authority as a life-writing opportunity for women. Delafield considers women as writers, readers, and subjects and contextualizes her analysis within nineteenth-century reading practice. She demonstrates ways in which women could becomes performers of their own story through a narrative method which was authorized by their femininity and at the same time allowed them to challenge the myth of domestic womanhood.
Description : Neo-Victorian writers invoke conflicting viewpoints in diaries, letters, etc. to creatively retrace the past in fragmentary and contradictory ways. This book explores the complex desires involved in epistolary discoveries of 'hidden' Victorians, offering new insight into the creative synthesising of critical thought within the neo-Victorian novel.
Description : In this critical study, Tidwell examines the conflict of aesthetics and politics in The Diary of Virginia Woolf. As a modernist writer concerned with contemporary aesthetic theories, Woolf experimented with limiting the representative nature of writing. At the same time, as a feminist, Woolf wanted to incorporate her political interests in her fiction, but overt political statement conflicted with her aesthetic ideals. Her solution was to combine innovative narrative techniques and subject matter traditionally associated with women. Tidwell analyzes several of Woolf’s novels, including To the Lighthouse, Jacob’s Room, and Between the Acts to elucidate the diary’s technique and form, as well as to cast it as a valuable contribution to Woolf’s canon.