Donald Judd Furniture

Author by : Donald Judd
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Publisher by : Distributed Art Pub Incorporated
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Donald Judd Furniture

Author by : Donald Judd Furniture
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Donald Judd Furniture

Author by : Donald Judd
Languange : en
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Donald Judd Furniture

Author by : Laurie A. Stein
Languange : en
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Donald Judd S Furniture

Author by : Nina Murayama
Languange : en
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Donald Judd Furniture

Author by : Donald Judd
Languange : en
Publisher by :
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Donald Judd

Author by : Donald Judd
Languange : de
Publisher by :
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Description : This catalogue includes photographs of prototypes, constructed by the artist himself and used by his family.


Donald Judd Interviews

Author by : Donald Judd
Languange : en
Publisher by : David Zwirner Books
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Description : Donald Judd Interviews presents sixty interviews with the artist over the course of four decades, and is the first compilation of its kind. It is the companion volume to the critically acclaimed and bestselling Donald Judd Writings. This collection of interviews engages a diverse range of topics, from philosophy and politics to Judd’s insightful critiques of his own work and the work of others such as Mark di Suvero, Edward Hopper, Yayoi Kusama, Barnett Newman, and Jackson Pollock. The opening discussion of the volume between Judd, Dan Flavin, and Frank Stella provides the foundation for many of the succeeding conversations, focusing on the nature and material conditions of the new art developing in the 1960s. The publication also gathers a substantial body of unpublished material across a range of mediums including extensive interviews with art historians Lucy R. Lippard and Barbara Rose. Judd’s contributions in interviews, panels, and extemporaneous conversations are marked by his forthright manner and rigorous thinking, whether in dialogue with art critics, art historians, or his contemporaries. In one of the last interviews, he observed, “Generally expensive art is in expensive, chic circumstances; it’s a falsification. The society is basically not interested in art. And most people who are artists do that because they like the work; they like to do that [make art]. Art has an integrity of its own and a purpose of its own, and it’s not to serve the society. That’s been tried now, in the Soviet Union and lots of places, and it doesn’t work. The only role I can think of, in a very general way, for the artist is that they tend to shake up the society a little bit just by their existence, in which case it helps undermine the general political stagnation and, perhaps by providing a little freedom, supports science, which requires freedom. If the artist isn’t free, you won’t have any art.” Donald Judd Interviews is co-published by Judd Foundation and David Zwirner Books. The interviews expand upon the artist’s thinking present in Donald Judd Writings (Judd Foundation/David Zwirner Books, 2016).


Donald Judd Writings

Author by : Donald Judd
Languange : en
Publisher by : David Zwirner Books
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Description : With hundreds of pages of new and previously unpublished essays, notes, and letters, Donald Judd Writings is the most comprehensive collection of the artist’s writings assembled to date. This timely publication includes Judd’s best-known essays, as well as little-known texts previously published in limited editions. Moreover, this new collection also includes unpublished college essays and hundreds of never-before-seen notes, a critical but unknown part of Judd’s writing practice. Judd’s earliest published writing, consisting largely of art reviews for hire, defined the terms of art criticism in the 1960s, but his essays as an undergraduate at Columbia University in New York, published here for the first time, contain the seeds of his later writing, and allow readers to trace the development of his critical style. The writings that followed Judd’s early reviews are no less significant art-historically, but have been relegated to smaller publications and have remained largely unavailable until now. The largest addition of newly available material is Judd’s unpublished notes—transcribed from his handwritten accounts of and reactions to subjects ranging from the politics of his time, to the literary texts he admired most. In these intimate reflections we see Judd’s thinking at his least mediated—a mind continuing to grapple with questions of its moment, thinking them through, changing positions, and demonstrating the intensity of thought that continues to make Judd such a formidable presence in contemporary visual art. Edited by the artist’s son, Judd Foundation curator and co-president Flavin Judd, and Judd Foundation archivist Caitlin Murray, this volume finally provides readers with the full extent of Donald Judd’s influence on contemporary art, art history, and art criticism.


Donald Judd Colorist

Author by : Donald Judd
Languange : en
Publisher by : Hatje Cantz Pub
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Description : Artwork by Donald Judd. Contributions by Martin Engler, William Agee. Text by Dietmar Elger.


Donald Judd In Context

Author by :
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Donald Judd Spaces

Author by : Judd Donald
Languange : en
Publisher by : Prestel Publishing
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Description : This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd's personal spaces, which are a crucial part of this revered artist's oeuvre. From a 19th-century cast-iron building in Manhattan to an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and lands surrounding the buildings that comprise Judd's extant living and working spaces. Readers will discover how Judd developed the concept of permanent installation at Spring Street in New York City, with artworks, furniture, and decorative objects striking a balance between the building's historic qualities and his own architectural innovations. His buildings in Marfa, Texas, demonstrate how Judd reiterated his concept of integrative living on a larger scale, extending to the reaches of the Chinati Mountains at Ayala de Chinati, his 33,000-acre ranch south of the town. Each of the spaces was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these residences reflect Judd's consistent aesthetic. His spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture. Published with Judd Foundation


Donald Judd

Author by :
Languange : en
Publisher by :
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Description : "Donald Judd (1928-1994) transformed the twentieth-century art world with his influential work in art, design, and architecture. This exhibition looks beyond his noted sculptures, which he referred to as 'specific objects,' and examines his furnitures design as a parallel practice that began in the 1960s and deepened throughout his career. The research and exploration of form and scale evident in Judd's refined and nuanced artworks extended to all of the objects he created and surrounded himself with, reflecting a holistic approach that is grounded in rigorous spatial principles." -- Joseph Becker, from text


Towards Universality

Author by : Richard Padovan
Languange : en
Publisher by : Routledge
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Description : There is no shortage of books about Le Corbusier, or Mies van der Rohe, or De Stijl. However, this book considers them in relation to each other, observing how a study of one can illuminate the works of the others. Going beyond a superficial look at the end-products of these architects, this book examines the philosophical foundations of their work, taking as its central theme the aim of universality, as opposed to the individual and the particular. Each of these three aimed at universality, but for each this concept took on a different form. The universality of De Stijl and artists like Van Doesburg and Mondrian resembled that of the universe itself: it was boundless, going beyond the limits of the canvas and seeking to abolish the wall as the boundary between interior and exterior space. In contrast, each of Le Corbusier’s creations was a self-contained universe within a clear frame, while Mies fluctuated between these two perspectives.


Donald Judd

Author by : Annie Ochmanek
Languange : en
Publisher by :
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Description : "Gathers the main monographic essays written on the work of one of the most influential American artists of the postwar era"--


Furniture

Author by :
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Total Read : 39
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The Grove Encyclopedia Of American Art

Author by : Joan M. Marter
Languange : en
Publisher by : Oxford University Press, USA
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Total Read : 13
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Description : Where is American art in the new millennium? At the heart of all cultural developments is diversity. Access through recent technology engenders interaction with artists from around the world. The visual arts in the United States are bold and pulsating with new ideas.


Mockbee Coker

Author by : Lori Ryker
Languange : en
Publisher by : Princeton Architectural Press
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Total Read : 83
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Description : The work of Samuel Mockbee and Coleman Coker "offers many lessons for projects of all scales and locations. It is an architecture that both celebrates and transcends its regional influences". -- Progressive Architecture


Donald Judd

Author by : Donald Judd
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Art History After Sherrie Levine

Author by : Howard Singerman
Languange : en
Publisher by : Univ of California Press
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Total Read : 48
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Description : “Howard Singerman’s new volume is truly groundbreaking for reasons that might at first seem counter-intuitive in their common sense: he smartly sets artistic production of the 1980s in context, looking at artworks in parallel with intellectual dialogues of the time in order to show how each was deeply enmeshed in the other—and then he radically expands his art-historical frame. Taking up the work of one remarkable artist, Sherrie Levine, in light of art-historical precedents set by, among many others, Constantin Brancusi and Marcel Duchamp, Singerman traces what would seem to be (but are not) incorrigible lines of medium-specificity and conceptual strategy through the decades. Singerman proves that postmodernism does not necessarily enact the break we’ve been told it does (so much as make possible other, transformed, iterations of longstanding discourses in art) while simultaneously offering readers a new entry into debates of the last thirty years. When it comes to revising our understanding of twentieth-century and contemporary art, Singerman’s groundbreaking project is, indeed, art history, but only as it can be written after Sherrie Levine.” —Johanna Burton, editor of Cindy Sherman “Howard Singerman presents a solid overview not only of the career of the contemporary artist Sherrie Levine, but also of what came to be known as postmodernism in the late 1970s and 1980s. Singerman mobilizes a broad range of sources, moving back and forth comfortably between discursive and historical ground on the one hand, and theoretical speculation on the other. Art History, After Sherrie Levine answers many questions about American art of the late twentieth century. Rich in detail and challenging in ideas, it is a pleasure to read.” —Alexander Alberro, author of Conceptual Art and the Politics of Publicity


Souto De Moura

Author by : Francesco Dal Co
Languange : en
Publisher by : Yale University Press
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Description : "I look beyond solution; I look for an expression."--Eduardo Souto de Moura The architect Eduardo Souto de Moura (b. 1952) has won many accolades, including the 2011 Pritzker Architecture Prize. Based in Porto, Souto de Moura studied under Fernando Távora and worked under fellow Portuguese architect Álvaro Siza, with whom he continues to collaborate. Souto de Moura established his own practice in 1980, and his wide-ranging influences, including Mies van der Rohe and Donald Judd, can be seen in the stunning variety of his work, from his acclaimed private houses, to the striking Paula Rego Museum in Cascais and the Braga Municipal Stadium, to his work in historical contexts such as the Convento das Bernardas in Tavira. This beautifully illustrated retrospective provides the most comprehensive account of Souto de Moura's career to date. Drawings, notes and sketches from his archive, and newly commissioned photographs complement essays by scholars and prominent architects that trace Souto de Moura's career, contextualize his work within the larger trends of contemporary international architectural culture, and highlight the originality of his design strategy.


8vo

Author by : Mark Holt
Languange : en
Publisher by : Springer Science & Business Media
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Total Read : 64
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Description : On the outside survey's 8vo's work from 1984-2001, including Octavo, the international journal of typography and its influence in the emergent typographically-led design movement in the UK and internationally during the late 1980s and through the 1990s. The emphasis is on process: trying to reveal how 8vo's design got made rather than simply showing finished jobs. A number of hand-made and computer generated stage by stage mock-ups are featured. Written and designed by Mark Holt and Hamish Muir, two of the founding principals of 8vo, the story's told it how it was - the everyday struggles of working with clients, typesetters, printers, and later on computers. Like many of their contemporaries, 8vo were working during a period of considerable change within the design industry - the book places 8vo's work within the context of this revolution; from paste-up to desktop.


Enrico Castellani Dan Flavin Donald Judd G Nther Uecker

Author by : Haunch of Venison (Gallery)
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Description : Published by haunch of Venison on the occasion of the exhibition at Haunch of Venison, Enrico Castellani, Dan Flavin, Donald Judd, Gunther Uecker London, 10 September-31 October 2009.


Danish Modern

Author by : Mark Mussari
Languange : en
Publisher by : Bloomsbury Publishing
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Total Read : 54
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Description : Danish Modern explores the development of mid-century modernist design in Denmark from historical, analytical and theoretical perspectives. Mark Mussari explores the relationship between Danish design aesthetics and the theoretical and cultural impact of Modernism, particularly between 1930 and 1960. He considers how Danish designers responded to early Modernist currents: the Stockholm Exhibition of 1930, their rejection of Bauhaus aesthetic demands, their early fealty to wood and materials, and the tension between cabinetmaker craft and industrial production as it challenged and altered their aesthetic approach. Tracing the theoretical foundations for these developments, Mussari discusses the writings and works of such figures as Poul Henningsen, Arne Jacobsen, Hans Wegner, Nanna Ditzel, and Finn Juhl.


Design Does Not Equal Art

Author by : Barbara J. Bloemink
Languange : en
Publisher by : Merrell Pub Limited
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Description : "Design [does not equal] Art presents distinctive functional designs that share the limited palette, materials, and elegant, geometric abstract forms characteristic of Minimalist and post-Minimalist art, including pine desks and porcelain tableware by Judd, stone and steel tables and chairs by Burton, lamps by Tuttle, folding screens by LeWitt, rugs by Rosemarie Trockel and Barbara Bloom, daybeds by Whiteread, and much more." "Filled with hundreds of photographs and drawing on candid conversations with many of the artists, Design [does not equal] Art is an authoritative, essential resource for designers, scholars of Minimalist and post-Minimalist art, collectors, and anyone interested in furniture and design of the late twentieth and early twenty-first centuries."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Marfa And Presidio County Texas

Author by : Louise O'Connor and Cecilia Thompson
Languange : en
Publisher by : Xlibris Corporation
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Total Read : 82
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Description : In their quest to complete their study and to share a better knowledge and understanding of a part of Texas that is still somewhat a frontier, authors Louise S. O'Connor and Cecilia Thompson reveal the first volume of their book Marfa and Presidio County, Texas: A Social, Economic, and Cultural Study 1937 to 2008 Volume One, 1937-1989. In a book that offers a closer look at the past and the present, readers will see how a place known as a tourist area and a center of contemporary art came to be. It returns to the pre-historic era of Far West Texas and bring readers up to the present with yearly reports on the region as well as extensive formal research and personal interviews with present day people who live in Presidio County. A case study worth reading, this book is an eye-opener for a better understanding of how this small yet historically rich land is what it is now. Packed with the economic, social, and cultural history of Presidio County; this book gives readers, both lay and the historians, a clear and complete picture of the events that lead to the preservation, industrialization, and the improvement of one of the frontiers of the United States of America.


Furniture Structure Infrastructure

Author by : Nigel Bertram
Languange : en
Publisher by : Routledge
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Total Read : 17
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Description : Observation and analysis are types of invention. They make things apparent which perhaps were invisible. By noticing, drawing and naming something we bring it into being. On the other hand, building and making can be thought of as analytical observations, pointing out what had not been so clear before and revealing the potential for other actions yet to occur. This book is a collection of urban research and architectural projects by award-winning architects Nigel Bertram / NMBW Architecture Studio, using observation as a design tool and design as an observational method. Through this process, a position on the making of architecture and on the role of architecture within the wider urban environment is established; embracing the full messy reality of the present, finding delight in the everyday and developing sensitivity to a range of found environments. By taking pre-existing conditions seriously, each project, architectural or analytical, large or small, becomes understood as the strategic renovation of a continuing state. This method of working operates by thinking simultaneously at different scales, from furniture to structure and infrastructure, searching for combinations of what might normally be separated into different categories, moving between the many small and ad-hoc actions of individuals to wider systems of collective organisation. Thinking about the effects of small moves on the larger urban field (and vice-versa), the role of unplanned or uncontrolled events in relation to the inward focus of design; thinking about the combinatory effect of what is newly made with what is already there, for example, enables architecture and the city to be understood in relative terms - in terms of relationships. Between people, groups of people, things, and parts of things, actions and groups of actions: urban architecture is the social arrangement of activity with the physical arrangement of large and small parts of its environment. But what people do also changes the place in which they do it. Considering different scales and types of relationships between individuals and groups, insiders and outsiders, expected and unexpected actions can be a way of crossing categories and establishing new relations. Breaking down components of a given situation or brief, before re-grouping, can be used to flatten and redistribute hierarchies embedded within. Similarly, finding ways of carefully observing things just as they are in the present, helps to see around the presuppositions of familiarity, without worrying about cause or effect. These aims, techniques and thoughts are presented through the discipline of the architectural project, where precise strategies must in the end be found to define an exact physical arrangement and materiality, usually at minimum cost. This collection of works researches the manner in which such precision can also generate openness and indeterminacy, allowing and provoking the engagement of others.


Furniture Design

Author by : Jim Postell
Languange : en
Publisher by : John Wiley & Sons
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Total Read : 17
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Description : The comprehensive guide to furniture design— expanded and updated Furniture designers draw on a range of knowledge and disciplines to create their work. From history to theory to technology, Furniture Design offers a comprehensive survey of the essential craft- and practice-related aspects of furniture design. Generously illustrated with photographs and drawings—including a new color section—this Second Edition features updated coverage of material specifications, green design, digital design, and fabrication technologies. It also features twenty-five case studies of furniture design that represent a broad selection of works, designers, and techniques, including recent designs produced within the last decade. The book explores: Furniture function and social use Form, spatial organization, and typological orders Structural integrity and composition Accessibility, universal design, human factors, and ergonomics The design process, from schematics through fabrication Materials, processes, and methods of fabrication Professional practice and marketing The history of furniture design, from prehistory to the digital age Complete with a glossary of terms and a comprehensive bibliography, Furniture Design, Second Edition is a one-stop resource that furniture designers will turn to regularly for the advice, guidance, and information needed to perform their craft.