Description : "This book: Provides the fullest introduction to Hemingway and his world found in a single volume ; Offers contextual essays written on a range of topics by experts in Hemingway studies ; Provides a highly useful reference work for scholarship as well as teaching, excellent for classes on Hemingway, modernism and American literature."--Publisher's website.
Description : The Letters of Ernest Hemingway, Volume 4, spanning April 1929 through 1931, featuring many previously unpublished letters, records the establishment of Ernest Hemingway as an author of international renown following the publication of A Farewell to Arms. Breaking new artistic ground in 1930, Hemingway embarks upon his first and greatest non-fiction work, his treatise on bullfighting, Death in the Afternoon. Hemingway, now a professional writer, demonstrates a growing awareness of the literary marketplace, successfully negotiating with publishers and agents and responding to fan mail. In private we see Hemingway's generosity as he provides for his family, offers support to friends and colleagues, orchestrates fishing and hunting expeditions, and sees the birth of his third son. Despite suffering injuries to his writing arm in a car accident in November 1930, Hemingway writes and dictates an avalanche of letters that record in colorful and eloquent prose the eventful life and achievements of an enormous personality.
Description : Provides background information on the life of Ernest Hemingway and his development as a writer, and includes critical examinations of his major works, his short fiction, and works published posthumously.
Description : This critical volume explores the life and work of Ernest Hemingway, focusing particularly on the themes of war in his novel A Farewell to Arms. Readers are presented with a series of essays which lend context and expand upon the themes of the book, including viewpoints on the reasons for, and the aftereffects of, war. Contemporary perspectives on PTSD, foreign policy, and military spending allow readers to further connect the events of the book to the issues of today's world.
Description : The Letters of Ernest Hemingway, Volume 5, spanning 1932 through May 1934, traces the completion and publication of Death in the Afternoon and Winner Take Nothing. During this intensely active period, Hemingway hunts in Arkansas and Wyoming, fishes the waters off Key West and Cuba, revisits Madrid and Paris, and undertakes a long-anticipated African safari. He witnesses transitions at home and abroad: the deepening Great Depression, Prohibition-era rumrunning, revolution in Cuba, and political unrest in Spain. His readership and celebrity continue to expand as he begins writing for the new men's magazine Esquire. As the volume ends, Hemingway has just acquired his beloved boat, Pilar. The letters detail these events as well as his relationships with his family, friends, publishers, critics and literary contemporaries including editor Maxwell Perkins, Archibald MacLeish, John Dos Passos, Ezra Pound, and F. Scott Fitzgerald. Together the letters paint an intimate self-portrait of this multi-faceted, self-confident, energetic artist in his prime.
Description : The volume of collected short stories and vignettes In Our Time was Ernest Hemingway's first commercial publication. Its appearance in 1925 launched the full-fledged literary career of this century's most famous American fiction writer. And while other later works of Hemingway have eclipsed In Our Time's fame, none of Hemingway's subsequent works would again carry the degree of experimentation found in this distinctly modernist masterwork. I>Modernism and Tradition in Ernest Hemingway's In Our Time: A Guide for Students and Readers is a well-paced, lucidly written handbook intended to guide university students and teaching faculty towards a better understanding of this complex work. It provides a reading of each story and vignette, while simultaneously stressing the status of In Our Time as a discrete volume. Included are discussions of the book's biographical and historical background, and considerations of Hemingway's prose style, theories of writing, formal achievements, his literary mentors and influences, and the relation between In Our Time and his later works. Matthew C. Stewart is Associate Professor of Humanities and Rhetoric at Boston University.