Flesh And Blood

Organ transplantation is one of the most dramatic interventions in modern medicine. Since the 1950s thousands of people have lived with 'new' hearts, kidneys, lungs, corneas, and other organs and tissues transplanted into their bodies. From the beginning, though, there was simply a problem: surgeons often encountered shortages of people willing and able to give their organs and tissues. To overcome this problem, they often brokered financial arrangements. Yet an ethic of gift exchange coexisted with the 'commodification of the body'. The same duality characterized the field of blood transfusion, which was essential to the development of modern surgery.This book will be the first to bring together the histories of blood transfusion and organ transplantation. It will show how these two fields redrew the lines between self and non-self, the living and the dead, and humans and animals. Drawing on newspapers, magazines, legal cases, films and the papers and correspondence of physicians and surgeons, Lederer will challenge the assumptions of some bioethicists and policymakers that popular fears about organ transplantation necessarily reflect timeless human concerns and preoccupations with the body. She will show how notions of the body- intact, in parts, living and dead- are shaped by the particular culture in which they are embedded.

BONUS: This edition contains an excerpt from Jonathan Kellerman's Victims. Perennial bestseller and acknowledged master of the psychological thriller, Jonathan Kellerman has created a riveting and memorable Alex Delaware novel about a troubled and elusive young woman whose brutal murder forces the brilliant psychologist-detective to confront his own fallibility. Lauren Teague is a beautiful, defiant, borderline-delinquent teenager when her parents bring her to Alex Delaware's office. But for all Alex's skill and effort, Lauren resists—angrily, provocatively. Reluctantly, the psychologist chalks Lauren up as one of the inevitable failures of a challenging profession. But years later, when Alex encounters Lauren as a stag party's featured entertainment, both doctor and patient are sticken with shame. And the ultimate horror takes place when, soon after, Lauren's brutalized corpse is found dumped in an alley. Alex disregards the advice of his trusted friend, LAPD detective Milo Sturgis, and jeopardizes his relationship with longtime lover, Robin Castagna, in order to pursue Lauren's murderer. As he investigates his young patient's troubled past, Alex enters the shadowy worlds of fringe psychological experimentation and the sex industry, and then into mortal danger when lust and big money collide in Southern California. Jonathan Kellerman's L.A. is evil, seductive, and unforgiving, and Flesh and Blood is mind-opening in its drama of a driven man's personal quest, breathtaking in its ingenious plot, filled with unforgettable characters, and topped off by a terrifying climax. This is suspense fiction at its finest.

Now living in New York, ex-cop Frank Clemons investigates a brutal slashing The sleek high-rises of Park Avenue make Frank Clemons uneasy. The former Atlanta homicide detective came to New York after a sickening murder case soured him on the South, but despite the glitz of his new surroundings and the beauty of the woman he shares them with, the city makes his skin crawl. Now a private eye, he is only at ease in the city’s darker corners, among the whores, gamblers, and pimps who call Eighth Avenue home. That affinity for the isolated is what draws him to Hannah Karlsberg, an elderly seamstress who deserved a better death than she got. Hannah’s employer asks Clemons to find the victim’s next of kin, so the police can release the body for burial. As he learns about the dead woman’s past, which stretches back to the Lower East Side of the 1930s, Clemons becomes obsessed with unearthing the decades-old secret that led to her death.

Leather & Lace: Can a rogue find love with the girl next door? Not if his ex-girlfriends have any say in it! Bethany Briggs is a wallflower who's always looked for love in the wrong places. Rod Summers is notorious for the string of broken hearted girlfriends he's left behind. Even when she sees a teddy bear beneath his wild exterior, she isn't sure she can trust her heart. But this shy girl-next-door is about to prove that the pattern for leather and lace can be tailor-made... Flesh & Blood: After risking her heart once and learning to regret it, JoJo Summers finds it necessary to live her life as a paper doll. No emotions, no danger and no pain. Randy Briggs is the one man who can change her mind, if he can just break down ten years' worth of her defenses. Getting through to JoJo means uncovering the demons in his own past. But Randy believes in true love and intends to make JoJo a believer too. His only ace in the hole is that she underestimates the power of love. Just when JoJo takes the first step in risking her heart to Randy, her past comes back to haunt her, in flesh and blood. . .and then her heart isn't the only thing she's in danger of losing.

On March 25, 1911, the Triangle Shirtwaist Factory in New York City burst into flames. The factory was crowded. The doors were locked to ensure workers stay inside. One hundred forty-six people—mostly women—perished; it was one of the most lethal workplace fires in American history until September 11, 2001. But the story of the fire is not the story of one accidental moment in time. It is a story of immigration and hard work to make it in a new country, as Italians and Jews and others traveled to America to find a better life. It is the story of poor working conditions and greedy bosses, as garment workers discovered the endless sacrifices required to make ends meet. It is the story of unimaginable, but avoidable, disaster. And it the story of the unquenchable pride and activism of fearless immigrants and women who stood up to business, got America on their side, and finally changed working conditions for our entire nation, initiating radical new laws we take for granted today. With Flesh and Blood So Cheap, Albert Marrin has crafted a gripping, nuanced, and poignant account of one of America's defining tragedies.

MARRIED TO A STRANGER

What does Paul mean by “the flesh”? There is a great deal of confusion among laymen and disagreement among scholars on this issue. Christians know that we are supposed to “walk by the Spirit” so that they will not gratify the desires of the flesh, but it is not entirely clear what these expressions mean. Furthermore, Paul can also be confusing when he addresses the Christian’s relationship to the flesh—are we in the flesh or not? This book clarifies these issues for us by exploring the different meanings of “flesh” throughout the Bible, and analyzing the influence both of Old Testament conceptions of “flesh” as well as new salvation-historical realities on Paul’s thinking, especially in the context of the controversy over circumcision in Galatians. By carefully following Paul’s thought, we will also gain greater insight into other Pauline themes that intersect with his theology of the flesh: new creation and his view of this age and the one to come. Most importantly, we will discover Paul’s own program for our spiritual transformation so that we may live a life of Christlike love and service despite the moral weakness of our flesh.

I must record the facts that have led me to where I am now. So that, when someone reads this, they understand. Sam Hunter's neighbours are pillars of the community, the most influential people in town. But they're liars too. The Greenhills are hiding something and Sam's determined to find out what it is. As his investigation unfolds, he realizes the lies reach further than he ever imagined - is there anyone he can trust? Uncovering the horror is one thing ... escaping is another. A chilling new story in the Red Eye series.

In John 6:51–59, John describes the Eucharist of Jesus by modeling Dionysus. In particular, John 6:53, “unless you eat the flesh of the Son of Man and drink his blood, you have no life in you” is one of the most difficult verses found anywhere in the Bible. To explain this, a new approach is needed when one consistently contemplates why John uses flesh (σάρξ) instead of body (σῶμα), and “This is my flesh”, instead of “This is my body.” The Dionysiac ritual of eating and tearing raw flesh shows cannibalistic elements. Unlike other negative descriptions of cannibalism in ancient literature, Dionysus is described as both an eater and a giver of raw flesh. By reevaluating the negative term of cannibalism, John positively applies this Dionysiac cannibalism to the Eucharistic words in 6:51–59. Because emphatically and slightly ironically, scholars’ arguments show that John 6 is still a “hard teaching” of Jesus, Jesus’ hard saying (6:60) is a consequence of this cannibalistic language and the ambiguous features of Dionysus.

As she writes about a brutal string of murders, Deidi Marshall realizes that she dreams of these crimes before they actually occur, and she soon matches wits with an evil she never dreamed of. Original.