Description : From a Tiny Corner in the House of Fiction gathers into a single volume twenty-three interviews with the British novelist and philosopher Dame Iris Murdoch (1919-1999) by some of the last half-century's foremost critics, academics, and journalists. Distinguished interviewers-including the renowned scholar Sir Frank Kermode, the theater critic Harold Hobson, and the writer and broadcaster Jonathan Miller-talk with Murdoch about her life, work, and philosophy. The resulting conversations offer access to Murdoch's beliefs on a wide range of topics and on her techniques and intentions as a writer. The interviews collectively trace an evolution in Murdoch's convictions, particularly on the subjects of religion and politics. Murdoch shares details of both her created and lived worlds, talking frankly about the difficulties facing a novelist writing in the second half of the twentieth century. She speaks at length about many of her novels and characters, explaining their philosophical and ethical foundations and clarifying points that have puzzled readers. Especially interesting are her views on such subjects as politics and freedom, women's education, the good life, and the possibilities for spiritual life after the demise of organized religions. Gillian Dooley introduces the collection with an analysis of Murdoch's work, looking closely at her method of composition and development of character and situation. Dooley also provides background information for each of the interviews, along with a thorough index.
Description : The Second World War marked an ethical turn in British fiction. The author of this study demonstrates this by closely examining John Fowles's and Iris Murdoch's works as post-war meta-textual magical-realist novels interested in ethics and the nature of contemporary reality. These ethical novels transcend mere morality to explore the essence of the Good. Through paradigms of human experience, they direct our attention towards the Other and impart moral principles based on acts of Goodness. The author assesses the moral intimations in Fowles's "The Magus "and Murdoch's "The Sea, the Sea" in the context of their philosophical writings, mainly "The Aristos" and "Metaphysics as a Guide to Morals" respectively. She shows that Fowles and Murdoch endeavour to instruct the reader morally through the accessible language of fiction.
Description : "Since the revelation of Iris Murdoch's (1919-1999) affair with Elias Canetti (1905-1994), scholarship on their relationship has been largely biographical, focusing in particular on Canetti's alleged role as the real-life model for some of Murdoch's most invidious protagonists. Little research, however, has been done on the extensive common ground between the two writers' literary projects. In this groundbreaking comparative study, Elaine Morley conducts a careful philological comparison of Murdoch's and Canetti's works, from their literary themes and theories to their idiosyncratic stylistic practices. Morley demonstrates that these authors were preoccupied with a common philosophical problem, and that they were in fact not only personally close, but also more intellectually allied than has been previously thought. Elaine Morley is Lecturer in German and Comparative Literature at Queen Mary, University of London where she convenes the MA in Anglo-German Cultural Relations."
Description : The first thorough exploration of Murdoch and gender, Iris Murdoch, Gender and Philosophy is a fresh contribution to debates in feminist philosophy and gender studies, and essential reading for anyone interested in Murdoch's literary and philosophical writing.
Description : Language Lost and Found takes as its starting-point Iris Murdoch's claim that "we have suffered a general loss of concepts." By means of a thorough reading of Iris Murdoch's philosophy in the light of this difficulty, it offers a detailed examination of the problem of linguistic community and the roots of the thought that some philosophical problems arise due to our having lost the sense of our own language. But it is also a call for a radical reconsideration of how philosophy and literature relate to each other on a general level and in Murdoch's authorship in particular.
Description : This book investigates male writers' use of female voices and female writers' use of male voices in literature and theatre from the 1850s to the present, examining where, how and why such gendered crossings occur and what connections may be found between these crossings and specific psychological, social, historical and political contexts.
Description : "Iris Murdoch was one of the most interesting and wide-ranging philosophers in recent British history. In addition to her five works on moral philosophy and existentalism, including Metaphysics as a Guide to Morals, she was the author of twenty-five works of fiction, including The Sea, the Sea, winner of the Booker Prize, and The Black Prince, winner of the James Tait Black Memorial Prize. This collection reassesses her literary and philosophical output, focusing on her key literary works and the influence she had among contemporary philosophers" --
Description : Brian Medlin met the novelist Iris Murdoch at Oxford in 1961 when he joined New College as a Research Fellow, and they remained friends for the remainder of her life, though after he left Oxford they only met once again. This correspondence published here covers a period of more than twenty years. In his letters, Medlin regaled Murdoch with Australian jokes, travel stories and anecdotes, and answered her many questions about Australian flora and fauna, and the Australian vernacular. She in turn quizzed him about his radical politics, and they agreed to disagree about Marxism and the bourgeoisie. In 1992, she wrote a review of his radical environmental monograph Human Nature, Human Survival for an Australian newspaper, and the full text of that review (only one-quarter of which was published at the time) is also published in this book. Medlin, born in 1927, was already in his mid-thirties when he arrived at New College. He had not had a typical academic career. He spent his early years in outback Australia as a store-keeper, kangaroo shooter, stockyard builder, horse-breaker and drover. He returned to Adelaide in the early 1950s and studied Philosophy. After graduation, a scholarship took him to Oxford. On his return to Australia, he was appointed to the chair of Philosophy at the new Flinders University (founded in 1966). Iris Murdoch’s correspondence with Brian Medlin is the record of a deeply affectionate relationship between two highly intelligent, articulate and philosophically sophisticated beings.
Description : A shadow, in its most literal sense, is the projection of a silhouette against a surface and the obstruction of direct light from hitting that surface. For writers and artists, the shadows cast by their precursors can be either a welcome influence, one consciously evoked in textual production via homage or bricolage, or can manifest as an intrusive, haunting, prohibitive presence, one which threatens to engulf the successor. Many writers and artists are affected by an anxious and ambiguous relationship with their precursors, while others are energised by this relationship. The role that intertextuality plays in creative production invites interrogation, and this publication explores a range of conscious and unconscious influences informing relations between texts and contexts, between predecessors and successors. The chapters revolve around intertextual influence, ranging from conscious imitation and intentional allusion to Julia Kristeva’s idea of intertextuality. Do all texts contain references to and even quotations from other texts? Do such references help shape how we read? This multidisciplinary work includes chapters on the long shadows cast by Shakespeare, Dante, Scott, Virgil and Ovid, the shadows of colonial precursors on postcolonial successors, the shadows cast over Kipling and Murdoch, and chapters on other writers, dramatists and filmmakers and their relationships with precursor figures. With its focus on intertextual relationships, this book contributes to the thriving fields of adaptation studies and studies of intertextuality.