I M A Stranger Here Myself

One can't be too cautious about thepeople one meets in Tangier. They're allweirdies of one kind or another. Me? Oh, I'm A Stranger Here Myself

Quicklets: Your Reading Sidekick! ABOUT THE BOOK Bill Brysons Im a Stranger Here Myself: Notes on Returning to America After 20 Years Away is an hilarious, pointed, and sometimes poignant collection of the columns he wrote for the British magazine, Night & Day. Bryson wrote these pieces in the mid- to late-nineties after he had returned to the United States from Great Britain where he had been living for the previous twenty years. Since the publication in 2000 of Im a Stranger Here Myself, Bryson has become one of the best-selling authors of the English-speaking world, and according to his official UK page, he is the best-selling author of non-fiction in Great Britain. MEET THE AUTHOR Davanna Cimino is a professional writer. He holds a law degree and is also a copy editor. He writes screenplays and poetry. He has three sons, and a Brittany named Jubal. EXCERPT FROM THE BOOK In Im a Stranger Here Myself: Notes on Returning to America After 20 Years Away, Bill Bryson explores themes as various as the pleasures of living in a small town; Americans obsession with prescription and over-the-counter drugs and the sometimes bizarre television ads for these drugs; injuries inflicted by common household items (for example, bedding); the war on drugs; and the prison population. Bryson points out, in the chapter, Drug Culture, that It is an odd thing about us. We spend huge efforts exhorting ourselves to Say No to Drugs, then go to the drugstore and buy them by the armloads. Although he details the trivial (why is there a hotline number on dental floss containers? in On the Hotline), Bryson often makes social commentary, which, though trenchant, does not provoke ire; he delivers his observations with wit, and a sense of shared fallibility. Bryson tells of his quest for the lost nirvana of the America of his youth in the chapter, Room Service. He remembers, as a boy, stopping with his family on long road trips at small, cottagey, family-owned motels. In an effort to recapture that lost past, he cajoles his wife and kids into stopping at the Sleepy Hollow Motel during one of their road trips. The family desert him for the more modern, cleaner Comfort Inn across the street. Buy a copy to keep reading! CHAPTER OUTLINE Quicklet on Bill Bryson's I'm a Stranger Here Myself: Notes on Returning to America After 20 Years Away + Introduction + About Bill Bryson + Curmudgeonly Nostalgia + Dry of Wit, Velvet of Glove, and Pointed of Observation + ...and much more

See a sleek shark in its element. Durable and a great value, this extra-thick 100-piece cardboard jigsaw puzzle is a "splash" to assemble Bright, sturdy pieces will withstand many uses. Made in the USA. Dimensions: 14"L x 19"W

The author describes his return to America after two decades of living abroad and his disconcerting reunion with his homeland as he discusses motels, tax-return instructions, and hardware stores.

A book of verses previously appearing in various magazines.

Next Chapter After the Last is a compilation of editorials by A.W. Tozer that helps Christians keep their orthodoxy in check. Addressing topics like death and resurrection, Tozer attacks unorthodox views of the gospel and lifts up true, New-Testament Christianity. Christians often see death just like the world does: as the final chapter. Tozer seeks to fervently correct this grave error, which is so inconsistent with the testimony of Scripture. In these 39 editorials, Tozer passionately urges believers to express great things for the afterlife, giving our hearts joy and our lives power.

A catch phrase is a well-known, frequently-used phrase or saying that has `caught on' or become popular over along period of time. It is often witty or philosophical and this Dictionary gathers together over 7,000 such phrases.

Peter Robinson's third book of literary criticism presents a sequence of chapters exploring ways that selves and situations interact and become imaginatively identified with each other in poems. Readings of works by Ezra Pound, Basil Bunting, Louis MacNeice, W. S. Graham, Elizabeth Bishop, Allen Curnow, Charles Tomlinson, Mairi MacInnes, Tom Raworth, and Roy Fisher share an interest in how poems can be both attached to, and detached from, the culture, society, and conditions in which they were written. These studies draw out and underline both the ubiquity and elusiveness of the self in the situation of the text. The poems studied here are also discussed as focal points for relations between readerly and writerly selves and their situations in and over time.

'I'm a Stranger Here Myself' presents hilarious adventures featuring the Longdens and a houseful of cats.

"This book traces composer Kurt Weill's changing relationship with the idea of "America." Throughout his life, Weill was fascinated by the idea of America. His European works such as The Rise and Fall of the City of Mahagonny (1930), depict America as a capitalist dystopia filled with gangsters and molls. But in 1935, it became clear that Europe was no longer safe for the Jewish Weill, and he set sail for New World. Once he arrived, he found the culture nothing like he imagined, and his engagement with American culture shifted in intriguing ways. From that point forward, most his works concerned the idea of "America," whether celebrating her successes, or critiquing her shortcomings. As an outsider-turned-insider, Weill's insights into American culture are somewhat unique. He was more attuned than native-born citizens to the difficult relationship America had with her immigrants. However, it took him longer to understand the subtleties in other issues, particularly those surrounding race relations. Weill worked within transnational network of musicians, writers, artists, and other stage professionals, all of whom influenced each other's styles. His personal papers reveal his attempts to navigate not only the shifting tides of American culture, but the specific demands of his institutional and individual collaborators"--

A landmark in ethnomusicology, expanded and revised

At the heart of Gail Mazur's The Common is the refusal to simplify what is paradoxical in our world and a recognition of the tensions in our own divided nature. These unflinching poems create a place where wisdom and foolishness, fear and courage, rage and pity, love and diffidence, naturally co-exist. Desire, ambition, devotion, and devastating loss are all subjects for Mazur's clear-eyed poems, which resonate with the contradictions between the body's yearning and the mind's acknowledgment of the consequences of our choices. In a poetry driven by unrelenting questioning, Mazur tries, in Rilke's worlds, "to love the questions themselves."

How did social, cultural and political events concerning Britain during the 1940s reshape modern British fiction? During the Second World War and in its aftermath, British literature experienced and recorded drastic and decisive changes to old certainties. Moving from potential invasion and defeat to victory, the creation of the welfare state and a new Cold war threat, the pace of historical change seemed too rapid and monumental for writers to match. Consequently the 1940s were often side-lined in literary accounts as a dividing line between periods and styles. Drawing on more recent scholarship and research, this volume surveys and analyses this period's fascinating diversity, from novels of the Blitz and the Navy to the rise of important new voices with its contributors exploring the work of influential women, Commonwealth, exiled, genre, avant-garde and queer writers. A major critical re-evaluation of the intriguing decade, this book offers substantial chapters on Elizabeth Bowen, Graham Greene, and George Orwell as well as covering such writers as Jocelyn Brooke, Monica Dickens, James Hadley Chase, Patrick Hamilton, Gerald Kersh, Daphne Du Maurier, Mary Renault, Denton Welch and many others.

Explains the origins and meanings of popular phrases

A catch phrase is a well-known, frequently-used phrase or saying that has `caught on' or become popular over along period of time. It is often witty or philosophical and this Dictionary gathers together over 7,000 such phrases.