Description : In Evil Hour is the thrilling story of a Colombian society menaced by rumour and paranoia by the Nobel Laureate Gabriel Garcia Marquez, author of the One Hundred Years of Solitude and Love in the Time of Cholera. As a small South American town sweats under an oppressive heat, an unknown person creeps through the night sticking malicious posters to walls and doors. When the contents of one poster lead to a murder, everyone knows that the town is threatened by a malevolent presence - but is there anything that the mayor, the doctor or the priest can do about it? 'In Evil Hour was the book which was to inspire my own career as a novelist. I owe my writing voice to that one book!' Jim Crace 'Belongs to the very best of Marquez's work . . . should on no account be missed' Financial Times 'A splendid achievement' The Times
Description : A history of the Latin American nation from the mid-nineteenth century to today traces how the nation has been marked by violent political conflicts, radical-popular mobilizations, and reactionary repression practices, in an account that also covers such topics as the region's guerrilla narco-trafficking and the cattle and cocaine republic of the 1980s. Simultaneous.
Description : Written just before One Hundred Years of Solitude, this fascinating novel of a Colombian river town possessed by evil points to the author's later flowering and greatness.
Description : Known for his poetic transformation of New England and nature, Robert Frost has retained his position through the years as one of the essential American poets of the 20th century. This book explores his classic works, including The Road Not Taken, Stopping by Woods on a Snowy Evening, and The Death of the Hired Man.
Description : A nuanced, multifaceted view of Gabriel García Márquez is offered in this collection of interviews that starts with the years of his early phenomenal success and continues through his most recent turn-of-the-century exchanges. Simultaneous.
Description : The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox. Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects. Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.
Description : This long-awaited biography provides a fascinating and comprehensive picture of García Márquez's life up to the publication of his classic 100 Years of Solitude. Based on nearly a decade of research, this biographical study sheds new light on the life and works of the Nobel Laureate, father of magical realism, and bestselling author in the history of the Spanish language. As García Márquez's impact endures on well into his ninth decade, Stavans's keen insights constitute the definitive re-appraisal of the literary giant's life and corpus. The later part of his life will be covered in a second book.
Description : Together with the late Jorge Luis Borges, Gabriel García Márquez, the 1982 Nobel laureate, stands at the pinnacle of Latin American literature. His work, in the words of Julio Ortega, "contains its own 'deconstructive' force—a literary power capable of reshaping natural order and rhetorical tradition in order to 'carnivalize' the Borges' library and allow us to hear the voices—and the laughter—of a culture, that of Latin America." This reshaping force invites us to read the works of García Márquez in a new way, one that bypasses the traditional, inadequate approaches through Latin American politics, history, and "magical realism." In Gabriel García Márquez and the Powers of Fiction, noted scholars Julio Ortega, Ricardo Gutiérrez Mouat, Michael Palencia-Roth, Aníbal González, and Gonzalo Díaz-Migoyo offer English-speaking readers a new approach to García Márquez's work. Their poststructuralist readings focus on the peculiar sign-system, formal configuration, intradiscursivity, and unfolding representation in the novels One Hundred Years of Solitude, No One Writes to the Colonel, In Evil Hour, The Autumn of the Patriarch, and Chronicle of a Death Foretold and in several of the author's short stories. Also included as an appendix is a translation of García Márquez's Nobel Prize acceptance speech, "The Solitude of Latin America."
Description : Focuses on Robert Burns's achievements as a poet and his special place in Scottish, English and Irish literary culture since the 18th century. Contributors include leading poet-critics such as award-winning Burns author Robert Crawford & Douglas Dunn,