Iron House

Iron House is the remarkable story of two orphaned brothers separated by violence at a tender age. When a boy is savagely killed in their brutal orphanage, one brother runs and takes the blame with him, eventually finding his way to New York and into the heart of organized crime. Two decades later - a seasoned killer - he returns to North Carolina with a sentence on his head, the mob in hot pursuit and his long-lost brother in trouble of a different kind. With vast sums in play, political fortunes at risk and bodies piling up, the brothers reunite to solve the mystery of their shared past in a tour de force narrative of loss, courage and the aftermath of violence. A dark, atmospheric thriller with a plot that will keep you guessing until the last moment.

What can we do about China? This question, couched in pessimism, is often raised in the West but it is nothing new to the Chinese, who have long worried about themselves. In the last two decades since the “opening” of China, Chinese intellectuals have been carrying on in their own ancient tradition of “patriotic worrying.”As an intellectual mandate, “worrying about China” carries with it the moral obligation of identifying and solving perceived “Chinese problems”—social, political, cultural, historical, or economic—in order to achieve national perfection. In Worrying about China, Gloria Davies pursues this inquiry through a wide range of contemporary topics, including the changing fortunes of radicalism, the peculiarities of Chinese postmodernism, shifts within official discourse, attempts to revive Confucianism for present-day China, and the historically problematic engagement of Chinese intellectuals with Western ideas.Davies explores the way perfectionism permeates and ultimately propels Chinese intellectual talk to the point that the drive for perfection has created a moralism that condemns those who do not contribute to improving China. Inside the heart of the New China persists ancient moralistic attitudes that remain decidedly nonmodern. And inside the postmodernism of thousands of Chinese scholars and intellectuals dwells a decidedly anti-postmodern quest for absolute certainty.

Existential-Psychology East-West (Volume 2) emerged from continued dialogues on existential psychology, particularly existential-humanistic psychology, in Southeast Asia. This volume includes authors from Southeast Asia, India, Africa, Europe, and the United States, including Xuefu Wang, Louise Sundararajan, Mark Yang, Louis Hoffman, Al Dueck, Albert Chan, Donna Rockwell, Ilene Serlin, Rainbow Tin Hung Ho, Rochelle Suri, Meili Pinto, and Anthony K. Nkyi. The book is divided into three sections: 1) Theory and Practice, 2) Applications and Case Illustrations, and 3) Existential Perspectives on Cultural Myths. The first three chapter focus on Zhi Mian Therapy, an indigenous Chinese approach to existential psychology. These chapters are the most comprehensive overview of Zhi Mian Therapy in English to date. Other theory chapters include a discussion of international psychology from an existential-humanistic perspective, the concept of Sui Wu Fu Xing, men’s violence against women, Sunyata, and the concept of savoring. The second section focuses on a variety of case illustrations to illuminate the practice of existential therapy in different cultural contexts. The final section expands upon existential perspectives of myths as developed in Rollo May’s The Cry for Myth and Existential Psychology East-West (Volume 1). Seven myths from different cultural contexts are examined from an existential perspective. Along with Volume 2, Existential-Psychology East-West (Volume 2) represents a landmark contribution to the existential psychology literature.

Patrick Sims-Williams provides an approach to some of the issues surrounding Irish literary influence on Wales, situating them in the context of the rest of medieval literature and international folklore.

Routledge Library Editions: Myth reissues four out-of-print classics that touch on various aspects of mythology. One book looks at the work of Martin Buber on myth, and another on the school of Gernet classicists. Another book studies comparative mythology and the work of Joseph Campbell, and the last book in the set looks at the role of the gods and their stories in Indo-European mythology. 1. Martin Buber on Myth S. Daniel Breslauer (1990) 2. The Methods of the Gernet Classicists: The Structuralists on Myth Roland A. Champagne (1992) 3. The Uses of Comparative Mythology Kenneth L. Golden (1992) 4. The War of the Gods Jarich G. Oosten (1985)

This structural analysis of myth, first published in 1985, focuses on social and political problems of Indo-European mythology. Dr Jarich Oosten tells how the ancient Indo-European gods competed for supreme power and the exclusive possession of the sacred potion of wisdom and immortality. In examining the social code of the wars of the gods, he reveals that there are remarkably consistent patterns in time and space: paternal relatives, equals at first, prove unable to share power, magic goods, etc; while some gods retain their divine status as an exclusive prerogative, their brothers or paternal cousins are transformed into demons; relatives by marriage, however, who are unequal at first, succeed in sharing power and magic goods, and thus become equal partners in the pantheon. Dr Oosten describes how the ancient mythological cycles were broken down and transformed into heroic sagas and epics, and shows how many traditionally related themes – the severed head, the magic cauldron – were preserved. Gradually the political problems of kingship came to overshadow the social problems of kinship, as in the development of the myths of King Arthur. Dr Oosten argues that the social code remains basically the same, and his analysis of this code gives a fascinating perspective on the development of Indo-European mythology from the oldest written sources to the comparatively recent faitytales.

Charles Wright identifies the characteristic features of Irish Christian literature which influenced Anglo-Saxon vernacular authors. As a full-length study of Irish influence on Old English religious literature, the book will appeal to scholars in Old English literature, Anglo-Saxon studies, and Old and Middle Irish literature.

This unique book examines the vital and contested connections between colonialism and tourism, which are as lively and charged today as ever before. Demonstrating how much of the marketing of these destinations represents the constant renewal of colonialism in the tourism business, this book illustrates how actors in the worldwide tourism industry continue to benefit from the colonial roots of globalisation.