Description : Nineteenth-century metropolises continue to actively haunt present-day cityscapes, informing our kaleidoscopic engagements with postmodern urbanity in aesthetic, affective, and cognitive as well as physical and sensual terms. This volume explores the complex forms of urban representation in neo-Victorian practice.
Description : This book argues that ‘deviance’ represents a central issue in neo-Victorian culture, and that the very concept of neo-Victorianism is based upon the idea of ‘diverging’ from accepted notions regarding the nineteenth-century frame of mind. However, the study of the ways in which the Victorian age has been revised by contemporary authors does not only entail analogies with the present but proves – by introducing what is perhaps a more pertinent description of the nineteenth century – that it was much more ‘deviant’ than it is usually depicted and perceived. Deviance in Neo-Victorian Culture: Canon, Transgression, Innovation explores a wide variety of textual forms, from novels to TV series, from movies and graphic novels to visual art. The scholarly and educational purpose of this study is to stimulate readers to approach neo-Victorianism as a complex cultural phenomenon.
Description : This book represents the first full-length study of the relationship between neo-Victorianism and nineteenth-century sensation fiction. It examines the diverse and multiple legacies of Victorian popular fiction by authors such as Wilkie Collins and Mary Elizabeth Braddon, tracing their influence on a range of genres and works, including detective fiction, YA writing, Gothic literature, and stage and screen adaptations. In doing so, it forces a reappraisal of critical understandings of neo-Victorianism in terms of its origins and meanings, as well as offering an important critical intervention in popular fiction studies. The work traces the afterlife of Victorian sensation fiction, taking in the neo-Gothic writing of Daphne du Maurier and Victoria Holt, contemporary popular historical detective and YA fiction by authors including Elizabeth Peters and Philip Pullman, and the literary fiction of writers such as Joanne Harris and Charles Palliser. The work will appeal to scholars and students of Victorian fiction, neo-Victorianism, and popular culture alike.
Description : Highlighting neo-Victorian humour’s crucial role in shaping contemporary re-visions of nineteenth-century culture, this volume explores the major aesthetic, ideological and ethical issues raised by refracting the past through a comic lens, especially through self-conscious irony, parody, and black humour.
Description : This book provides a comprehensive reflection of the processes of canonization, (un)pleasurable consumption and the emerging predominance of topics and theoretical concerns in neo-Victorianism. The repetitions and reiterations of the Victorian in contemporary culture document an unbroken fascination with the histories, technologies and achievements, as well as the injustices and atrocities, of the nineteenth century. They also reveal that, in many ways, contemporary identities are constructed through a Victorian mirror image fabricated by the desires, imaginings and critical interests of the present. Providing analyses of current negotiations of nineteenth-century texts, discourses and traumas, this volume explores the contemporary commodification and nostalgic recreation of the past. It brings together critical perspectives of experts in the fields of Victorian literature and culture, contemporary literature, and neo-Victorianism, with contributions by leading scholars in the field including Rosario Arias, Cora Kaplan, Elizabeth Ho, Marie-Luise Kohlke and Sally Shuttleworth. Neo-Victorian Literature and Culture interrogates current fashions in neo-Victorianism and their ideological leanings, the resurrection of cultural icons, and the reasons behind our relationship with and immersion in Victorian culture.
Description : A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org. Arguing that neo-Victorian fiction enacts and celebrates cultural memory, this book uses memory discourse to position these novels as dynamic participants in the contemporary historical imaginary.
Description : Placing the popular genre of neo-Victorian fiction within the context of the contemporary cultural fascination with the Victorians, this book argues that these novels are distinguished by a commitment to historical specificity and understands them within their contemporary context and the context of Victorian historical and literary narratives.
Description : "Visionary cities" sets the agenda for the city of the future. This first publication in the "Future Cities Series" is intended as an overview of the issues that The Why Factory is addressing and to outline this research institute's ambitions and modus operandi for the coming years. In each of the book's chapters, whether about sustainability, the boom in the leisure industry or poverty, one encounters the tension between the disciplines of architecture and urbanism and the dynamics of the city itself. Each chapter is therefore a specific brief, an urgent call for visionary scenarios for the city of the future. In the concluding chapter Winy Maas advocates regarding the city first and foremost as a project for the future. Maas takes a critical standpointvis-áa-vis current urban planning practice. He argues that architecture possesses a visionary dimension that can generate new value of the city and advocates a large-scale communal agenda.
Description : The present study offers a poetics of science in the contemporary historical, and more specifically, neo-Victorian novel. Its starting point is both the profound (dis)similarity between science and history, and Ansgar N¨ unning's path-breaking systematisation of the historical novel. The poetics itself is based on a rigorous development and application of four hypotheeses. These hypotheses are a direct result of the interdisciplinary nature of a study with at least three, if not four, epistemological concerns, for this is a study of « science in a « literary context which deals with « history, specifically history of the « Victorian« period. Each of the four terms forms the basis for one of the hypotheses. The poetics is tested on two novels which have proved to be land-marks in neo-Victorian fiction: Graham Swift's Waterland (1983) and A. S. Byatt's Possession (1990). Contents: Science - History - Nature - Neo-Victorian - 20th-century novel - Postmodern English fiction - Science and literature - Ecocriticism - Poetics of science in the neo-Victorian novel - Graham Swift: Waterland - A. S. Byatt: Possession - Ansgar Nunning.