Description : DIVWith an Overview by Paul Smith and a Checklist to Hemingway Criticism, 1975–1990 New Critical Approaches to the Short Stories of Ernest Hemingway is an all-new sequel to Benson’s highly acclaimed 1975 book, which provided the first comprehensive anthology of criticism of Ernest Hemingway’s masterful short stories. Since that time the availability of Hemingway’s papers, coupled with new critical and theoretical approaches, has enlivened and enlarged the field of American literary studies. This companion volume reflects current scholarship and draws together essays that were either published during the past decade or written for this collection. The contributors interpret a variety of individual stories from a number of different critical points of view—from a Lacanian reading of Hemingway’s “After the Storm” to a semiotic analysis of “A Very Short Story” to an historical-biographical analysis of “Old Man at the Bridge.” In identifying the short story as one of Hemingway’s principal thematic and technical tools, this volume reaffirms a focus on the short story as Hemingway’s best work. An overview essay covers Hemingway criticism published since the last volume, and the bibliographical checklist to Hemingway short fiction criticism, which covers 1975 to mid-1989, has doubled in size. Contributors. Debra A. Moddelmog, Ben Stotzfus, Robert Scholes, Hubert Zapf, Susan F. Beegel, Nina Baym, William Braasch Watson, Kenneth Lynn, Gerry Brenner, Steven K. Hoffman, E. R. Hagemann, Robert W. Lewis, Wayne Kvam, George Monteiro, Scott Donaldson, Bernard Oldsey, Warren Bennett, Kenneth G. Johnston, Richard McCann, Robert P. Weeks, Amberys R. Whittle, Pamela Smiley, Jeffrey Meyers, Robert E. Fleming, David R. Johnson, Howard L. Hannum, Larry Edgerton, William Adair, Alice Hall Petry, Lawrence H. Martin Jr., Paul Smith/div
Description : Books studying the presence of Spain in American literature, and the possible influence of Spain and its literature on American authors, are still rare. In 1955 appeared a pioneer work in this field – Stanley T. Williams’ The Spanish Background of American Literature. But that book went no further than W.D. Howells’ Familiar Spanish Travels, published in 1913. The Last Good Land covers most of the twentieth century, including such groups as the Lost Generation and African American writers and exiles. It also considers then recent revolution in Spanish cultural and historical thought introduced by Américo Castro, which several American writers discussed in this volume may be said to have anticipated. Recent studies have expanded on Williams’ volumes, but in the majority of cases these works limit their scope to a single period (the nineteenth century, the Spanish Civil War), a movement (predominantly Romanticism) or authors known for their interest in Spain (Irving, Hemingway). The result is often a lack of continuum, or the exclusion of such authors as Saul Bellow, William Gaddis or Richard Wright. Within American literature itself, The Last Good Land contains revisions of traditional interpretations of certain writers, including Hemingway. The variety of authors treated, both in respect to ethnicity and gender, guarantees a varied and global view of Spanish culture by American writers.
Description : Provides background information on the life of Ernest Hemingway and his development as a writer, and includes critical examinations of his major works, his short fiction, and works published posthumously.
Description : In 1924 Ernest Hemingway published a small book of eighteen vignettes, each little more than one page long, with a small press in Paris. Titled in our time , the volume was later absorbed into Hemingway’s story collection In Our Time . Those vignettes, as Milton Cohen demonstrates in Hemingway’s Laboratory , reveal a range of voices, narrative strategies, and fictional interests more wide-ranging and experimental than any other extant work of Hemingway’s. Further, they provide a vivid view of his earliest tendencies and influences, first manifestations of the style that would become his hallmark, and daring departures into narrative forms that he would forever leave behind.
Description : Philosophy and Literary Modernism probes the relationship of authors with the thought of their time. The authors studied here include Conrad, Eliot, Faulkner, Forster, Hemingway, Hesse, Kafka, Joyce, Lawrence, Williams, and Woolf, among others. Literary modernism engaged with explorations of literary form, language, ways of knowing the world, identity, commitment, chance, truth, and beauty. The book considers how writers participated in the intellectual spirit of their time and with the thought of philosophers like Henri Bergson, G.E. Moore, Bertrand Russell, Alfred North Whitehead, and Ludwig Wittgenstein.
Description : Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Description : Finalist for the 2014 Weber-Clements Book Prize for the Best Non-fiction Book on Southwestern America In popular culture, Wyatt Earp is the hero of the Gunfight at the O.K. Corral in Tombstone, Arizona, and a beacon of rough cowboy justice in the tumultuous American West. The subject of dozens of films, he has been invoked in battles against organized crime (in the 1930s), communism (in the 1950s), and al-Qaeda (after 2001). Yet as the historian Andrew C. Isenberg reveals in Wyatt Earp: A Vigilante Life, the Hollywood Earp is largely a fiction—one created by none other than Earp himself. The lawman played on-screen by Henry Fonda and Burt Lancaster is stubbornly duty-bound; in actuality, Earp led a life of impulsive lawbreaking and shifting identities. When he wasn't wearing a badge, he was variously a thief, a brothel bouncer, a gambler, and a confidence man. As Isenberg writes, "He donned and shucked off roles readily, whipsawing between lawman and lawbreaker, and pursued his changing ambitions recklessly, with little thought to the cost to himself, and still less thought to the cost, even the deadly cost, to others." By 1900, Earp's misdeeds had caught up with him: his involvement as a referee in a fixed heavyweight prizefight brought him national notoriety as a scoundrel. Stung by the press, Earp set out to rebuild his reputation. He spent his last decades in Los Angeles, where he befriended Western silent film actors and directors. Having tried and failed over the course of his life to invent a better future for himself, in the end he invented a better past. Isenberg argues that even though Earp, who died in 1929, did not live to see it, Hollywood's embrace of him as a paragon of law and order was his greatest confidence game of all. A searching account of the man and his enduring legend, and a book about our national fascination with extrajudicial violence, Wyatt Earp: A Vigilante Life is a resounding biography of a singular American figure.
Description : Presents a collection of writings exploring the Nick Adams character who appears in many short stories written by Ernest Hemingway.
Description : The Present Book Provides A Critical Analysis Of All The Novels And Short Stories Of Ernest Hemingway, A Twentieth Century American Novelist Who Got Nobel Prize For Literature. Hemingway Is A Writer Of Lost Generation, Of An Era Of Chaos And Disillusionment, But His Approach Is Neither Defeatist Nor Negative In Nature; Instead, It Is Something Vigorously Optimistic And Positive In Spirit. What Hemingway Seeks To Tell Us Through His Novels And Short Stories Is Indeed Important, But Far More Important Is The Way, The Mode In Which He Tells Us. It Is In This Course That A Proper Emphasis Has Been Given In The Present Book On The Use Of Symbols And Images In His Novels And Short Stories Besides Other Trends And Techniques In His Writings. Undoubtedly This Book Will Be A Boon For The Scholars Of Ernest Hemingway.