Strange Beauty

Osunsan's first collection of poems highlights the colorful qualities of the human condition: its trials, hopes, losses, failures, successes, fears, dreams and its endless facades. Born in Lagos, Nigeria, the poet is currently studying International Business at Kampala International University and is a member of Kampala Pentecostal Church in Uganda.

A unique and hopeful story of how one woman and her family were transformed by her child's multiple disabilities and inability to talk and how she, in turn, transformed a community. This intimate, no-holds barred memoir shares one family's experiences with a child who is both autistic and physically disabled. It is a story of infectious laughter, blood on the floor, intense physical conflict, and of two little girls growing up in the shadow of their charming and fitful brother. And it is the story of a mother and writer and the illuminating effect of imagining the world through the eyes of her beautiful, charismatic, and nonverbal son, Felix. Felix and his sisters inspire Eliza to start Extreme Kids, a community center that connects families with children with disabilities through the arts and play, and transform how she saw herself and the world. She writes of the joy this project brings her, as well as the disconnect of being lauded for helping others at the same time that she cannot help her own son. As Felix grows bigger and stronger, his assaults against himself grow more destructive. When his bruised limbs and face prompt Child Services to investigate the Factors for abuse, Eliza realizes how dangerous her home has become. Strange Beauty is a personal story, but it shines a light on the combustible conditions many families are living in at this moment. The United States offers parents whose children are prone to violence very little help. That Eliza's story ends happily, with Felix thriving at Crotched Mountain School, is due more to luck than policy. There are few such schools and many such children. When children are violent, we fail to account for the internal and external pressures that lead to violence. This is both cruel and counterproductive, for people with disabilities have much to teach us, if we will only listen.

Strange Beauty provides a new perspective on early Celtic stories of the Otherworld and their relevance to today's ecological concerns, arguing for a contemporary re-reading of the Otherworld trope in relation to physical experience.

"A study of reliquaries as a form of representation in medieval art. Explores how reliquaries stage the importance and meaning of relics using a wide range of artistic means from material and ornament to metaphor and symbolism"--Provided by publisher.

There are some things a teen can take for granted, or so Penny thinks. Beautiful girls get all the breaks. An eccentric old woman is going to be the target of every kid in the 'hood. But what if things are not all they seem? Lori Weber's talents are on full display in this in this remarkable, insightful story of beauty's fleeting power and the effects of time.

This book offers the first strong evidence of the existence of CP violation in neutral B decays extracted from sophisticated B factories in the US and Japan. It also holds out the expectation of rare B decays and D, K physics in the near future. In addition, new physics beyond the Standard Model is described. Both experimental and theoretical points of view are given. Contents:Asymmetry Measurements from Asymmetric Colliders (J Dorfan)B Physics from Colliders and Theoretical Considerations (S Yamada)Rare and Radiative B Decays (H Sugawaka)Perturbative QCD and Two-Body B Decays (D Hitlin)Physics of D Mesons (K Fujikawa)Searching for New Physics in B Decays (Y Nagashima)Constraints on the SM (A Masaike)New Results from K Decays (E Aslanides)and other papers Readership: Particle physicists and PhD candidates interested in the Standard Model and its verification. Keywords:CP Violation;B Decays;B Factories;Asymmetry Measurements;Asymmetric Colliders;B Physics;Perturbative QCD;D Mesons

Walter Pater and the Language of Sculpture is the first monograph to discuss the Victorian critic Walter Pater's attitude to sculpture. It brings together Pater's aesthetic theories with his theories on language and writing, to demonstrate how his ideas of the visual and written language are closely interlinked. Going beyond Pater's views on sculpture as an art form, this study traces the notion of relief (rilievo) and hybrid form in Pater, and his view of the writer as sculptor, a carver in language. Alongside her treatment of rilievo as a pervasive trope, Lene ?termark-Johansen also employs the idea of rivalry (paragone) more broadly, examining Pater's concern with positioning himself as an art critic in the late Victorian art world. Situating Pater within centuries of European aesthetic theories as never before done, Walter Pater and the Language of Sculpture throws new light on the extraordinary complexity and coherence of Pater's writing: The critic is repositioned solidly within Victorian art and literature.

Another volume in the distinguished annual

This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.

Essays explain how fear shapes the contemporary landscape, giving us security systems, gated communities, and semi-public mall and atrium spaces.

For those within the fields of art history and Byzantine studies, Professor Henry Maguire needs no introduction. His publications transformed the way art historians approach medieval art through his insightful integration of rhetoric, poetry and non-canonical objects into the study of Byzantine art. His ground-breaking studies of Byzantine art that consider the natural world, magic and imperial imagery, among other themes, have redefined the ways medieval art is interpreted. From notable monuments to small-scale and privately used objects, Maguire’s work has guided a generation of scholars to new conclusions about the place of art and its function in Byzantium. In this volume, 23 of Henry Maguire’s colleagues and friends have contributed papers in his honour, resulting in studies that reflect the broad range of his scholarly interests.

This book examines for the first time together poems by three protagonists of the 1890s: Oscar Wilde, Arthur Symons, and Ernest Dowson.

Modular Forms is a graduate student-level introduction to the classical theory of modular forms and computations involving modular forms, including modular functions and the theory of Hecke operators. It also includes applications of modular forms to various subjects, such as the theory of quadratic forms, the proof of Fermat's Last Theorem and the approximation of π. The text gives a balanced overview of both the theoretical and computational sides of its subject, allowing a variety of courses to be taught from it.This second edition has been revised and updated. New material on the future of modular forms as well as a chapter about longer-form projects for students has also been added.

This is the classic introduction to Chinese calligraphy. In nine richly illustrated chapters Chang explores the aesthetics and the technique of this art in which rhythm, line, and structure are perfectly embodied. He measure the slow change from pictograph to stroke to the style and shape of written characters by the great calligraphers. It is a superb appreciation of beauty in the movement of strokes and in the patterns of structure--and an inspiration to amateurs as well as professionals interested in the decorative arts.

Since the late nineteenth century, museums have been cited as tools of imperialism and colonialism, as strongholds of patriarchalism, masculinism, homophobia and xenophobia, and accused both of elitism and commercialism. But, could the museum absorb and benefit from its critique, turning into a critical museum, into the site of resistance rather than ritual? This book looks at the ways in which the museum could use its collections, its cultural authority, its auratic space and resources to give voice to the underprivileged, and to take an active part in contemporary and at times controversial issues. Drawing together both major museum professionals and academics, it examines the theoretical concept of the critical museum, and uses case studies of engaged art institutions from different parts of the world. It reaches beyond the usual focus on western Europe, America, and ’the World’, including voices from, as well as about, eastern European museums, which have rarely been discussed in museum studies books so far.

In the days before air travel, journeys to foreign lands were rather difficult undertakings that were usually reserved for the most stalwart of travelers. This is a major reason why the popularity of the travel writing genre skyrocketed in the late nineteenth and early twentieth centuries. Stephen Graham was one of the most revered British travel writers during this period, and the essays and short works collected in A Tramp's Sketches represent an edifying introduction to his uniquely charming style.

In all latitudes, writers hold out a mirror, leading the reader to awareness by telling real or imaginary stories about people of good will who try to save what can be saved, and about animals showing humans the way to follow. Such tales argue that, in spite of all destructions and tragedies, if we are just aware of, and connected to, the real world around us, to the blade of grass at our feet and the star above our heads, there is hope in a reconciliation with the Earth. This may start with the emergence, or, rather, the return, of a nonverbal language, restoring the connection between human beings and the nonhuman world, through a form of communication beyond verbalization. Through a journey in Anglophone literature, with examples taken from Aboriginal, African, American, English, Canadian and Indian works, this book shows the role played by literature in the protection of the planet. It argues that literature reveals the fundamental idea that everything is connected and that it is only when most people are aware of this connection that the world will change. Exactly as a tree is connected with all the animal life in and around it, texts show that nothing should be separated. From Shakespeare’s theatre to ecopoetics, from travel writing to detective novels, from children’s books to novels, all literary genres show that literature responds to the violence destroying lands, men and nonhuman creatures, whose voices can be heard through texts.

"This volume examines six especially significant incarnations of the story. A close consideration of these works demonstrates how versions of Baum's tale are influenced by and help shape notions of American myth, including issues of gender, race, home, and magic, and makes clear that the Wizard of Oz narrative remains compelling and relevant today"--Provided by publisher.