Ted Hughes New Selected Poems

Poems from every phase of the career of a great poet This selection of Ted Hughes's poetry, made by the author himself in 1995, includes poems from every phase of his four-decade career. Here are poems from Hughes's first book, The Hawk in the Rain, and its successor, Lupercal, which introduced him as a major poet; from Wodwo, Crow and Gaudete, book-length poetic sequences in which the natural world is made into a thrilling and terror-filled analogue to our human one; and from six volumes of his maturity, here arranged thematically, in which the poet is at once rural chronicler and form-breaking modern artist. The volume also includes previously uncollected poems and eight poems later incorporated into Birthday Letters, Hughes's meditation in verse on his marriage to Sylvia Plath, which became an international bestseller the year after his death.

This book (also available in paperback from Troubador) open with a section on Hughes's life, including an authoritative treatment of the relationship with Sylvia Plath and the effect of her suicide on his poetry and reputation, followed by a review of Hughes's artistic strategies, his poetic language, and influences on his work, including his openness to mythology and the poets of Eastern Europe. The body of the book offers an approach to reading New Selected Poems (1995), taking in turn each of the remarkable and remarkably varied works from which the poems were selected - The Hawk in the Rain, Lupercal, Wodwo, Crow, Cave Birds, Season Songs, Gaudete, Remains of Elmet, Moortown Diary, River and Wolfwatching. It concludes with a review of Hughes's reception, and a six-page bibliography.

This volume replaced Ted Hughes's Selected Poems 1957-1981. It contains a larger selection from the same period, to which are added poems from more recent books, uncollected poems from each decade of Ted Hughes's writing life, and some new work. Another notable feature is the inclusion of poems from his books for younger readers, What is the Truth? and Season Songs.

A collection of works by a contemporary English poet selected from twelve books of poetry written over a 25-year period.

Ted Hughes is one of the most imposing figures of English poetry in the second half of the Twentieth Century. He had already reached widespread literary acclaim before he was appointed Poet Laureate in 1984. Part of his fame, though perhaps not the most pleasant part for him, he acquired simply for having been the husband of the American poet Sylvia Plath (1932-1963). This private tragedy, for which he had long been publicly blamed, reached literary status with the publication, on the year of Hughes' death, of his autobiographical verse novel Birthday Letters. This collection of confessional poems, apart from having been one of the very rare instances of best-sellers among poetry books, came to cast a retrospective light on the œuvre as a whole, which called for a new survey of its main themes and issues. The New Selected Poems 1957-1994, because they have been selected and edited by Ted Hughes himself, remain the readiest digest of his work, and the book by which most readers will begin. Still, rooted as it is in the story of its author's life, and perhaps precisely because of that, Hughes' poetry meets some of the essential preoccupations of its time.

This volume replaced Ted Hughes's Selected Poems 1957-1981. It contains a larger selection from the same period, to which are added poems from more recent books, uncollected poems from each decade of Ted Hughes's writing life, and some new work. Another notable feature is the inclusion of poems from his books for younger readers, What is the Truth? and Season Songs.

This is the first collection of essays to be published since the poet's death. Continuing a tradition of more than thirty years of Ted Hughes studies, it gathers contributions by most of the major international Hughes scholars, voicing their critical preoccupations at the turn of the century. Over the years, academic criticism on the poetry of Ted Hughes has established some well-trodden paths, which this collection still strongly reflects, however, the productions of the latter Hughes, in poetry as well as in criticism, demand a revisiting of the critical discourse on his work. The biographical dimension, for instance, has gradually gathered momentum, and it is no longer possible to study the work of Ted Hughes without due reference to the life and work of Sylvia Plath. This book is, nonetheless, also motivated by the wish to bring some fresh blood to the Hughes studies by politely rocking the boat of a rather comfortably established critical reception that has prided itself on being the mouthpiece of the poet's own ideological discourse. For this reason, some of the chapters in this collection belong to a continental European tradition that is resolutely foreign to the former partisanships. For all that, Ted Hughes: Alternative Horizons suggests that steering clear of the polemical ruts dug by fans and detractors alike can only benefit the future of scholarly studies devoted to a great poet.

For the first time, the vast canon of the poetry of Ted Hughes - winner of the Whitbread and Forward Prizes and former Poet Laureate - together in a single e-book. The Collected Poems spans fifty years of work, from Hawk in the Rain to the best-selling Birthday Letters. It also includes the complete texts of such seminal publications as Crow and Tales from Ovid as well as those children's poems that Hughes felt crossed over into adult poetry. Most significantly it also includes small press publications and editions that, until now, remain uncollected and have never before been available to a general readership. 'A guardian spirit of the land and language.' Seamus Heaney

Originally the medieval bestiary or book of animals set out to establish safe distinctions - between them and us - but Hughes's poetry works always in a contrary direction: showing what man and beast have in common, the reservoir from which we all draw. Alice Oswald's selection is arranged chronologically, with an eye to different books and styles, but equally to those poems that embody animals, rather than just describe them. Some poems are here because, although not strictly speaking animal, they become so in the process of writing; and in keeping with the bestiary tradition there are plenty of imaginary animals - all concentratedly coming about their business. The resulting selection is subtly responsive to a central aspect of Hughes's achievement, while offering room to some wonderful overlooked poems, and to 'those that have the wildest tunes.'

A new selection of poems by the celebrated gay poet Thom Gunn has been described as “one of the most singular and compelling poets in English during the past half-century” (Times Literary Supplement). Gunn was an Elizabethan poet in modern guise, though there’s nothing archaic, quaint, or sepia-toned about his poetry. His method was dispassionate and rigorous, uniquely well suited for making a poetic record of the tumultuous time in which he lived. Gunn’s dozens of brilliantly realized poems about nature, friendship, literature, sexual love, and death are set against the ever-changing backdrop of San Francisco—the druggy, politically charged sixties and the plague years of AIDS in the eighties. Perhaps no contemporary poet was better equipped—by temperament, circumstance, or poetic gift—to engage the subjects of eros and thanatos than Thom Gunn. This New Selected Poems, compiled by his friend Clive Wilmer and accompanied by insightful notes, is the first edition to represent the full arc of Gunn’s inimitable career.

This Reader's Guide charts the reception history of Ted Hughes' poetry from his first to last published collection, culminating in posthumous tributes and assessments of his lifetime achievement. Sandie Byrne explores the criticism relating to key issues such as nature, myth, the Laureateship, and Hughes' relationship with Sylvia Plath.

Including a previously unpublished poem by Ted Hughes, as well as new essays from Seamus Heaney and Simon Armitage, Ted Hughes: From Cambridge to Collected offers fresh readings and newly available archival research, challenging established views about Hughes's speaking voice, study at Cambridge and the influence of other poets on Hughes's work.

This brilliant new study opens with a section on Hughes's life, including an authoritative treatment of the relationship with Sylvia Plath and the effect of her suicide on his poetry and reputation, followed by a review of Hughes's artistic strategies, his poetic language, and influences on his work, including his openness to mythology and the poets of Eastern Europe.

New Selected Poems 1988-2013 provides an unrivalled account of a period of work that was crowned by the Nobel Prize for Literature in 1995. Together with its earlier, sibling volume, it completes the arc of a remarkable career. Shortly before his death in 2013, Seamus Heaney discussed with his publisher the prospect of a companion volume to his landmark New Selected Poems 1966-1987 aimed at presenting the second half of his career, 'from Seeing Things onwards', as he foresaw it. Although he was unable to complete a edition/selection, he left behind selections that have been followed here. New Selected Poems 1988-2013 reprints the author's chosen poems from his later years, beginning with his ground-breaking volume Seeing Things (1991), his two Whitbread Books of the Year, The Spirit Level (1996) and Beowulf (1999), and his multi-nominated, prize-winning volumes, Electric Light (2001), District and Circle (2006) and Human Chain (2010). The edition concludes with two posthumously published works.

This collection of original essays by an international team of Hughes scholars demonstrates afresh how key contextual and theoretical approaches to the poet's work serve to illuminate the texts. Part I reads Hughes' poems through cultural contexts while Part II examines his work through the frames of a range of literary theories.

Explores the life, work and literary significance of the late Poet Laureate.

From his remarkable debut The Hawk in the Rain (1957) to his death in 1998, Ted Hughes was a colossal presence in the English literary landscape. This edition collects for the first time his poetry of five decades, including such characteristic achievements as Crow, Tales from Ovid and Birthday Letters. It also charts the parallel but less familiar story of Hughes's private-press publications: a manifold activity ranging from broadsides and pamphlets to entire collections of poems, many of which have not previously circulated beyond their original readership.The Collected Poems reprints the ensemble of the published poetry, including those poems written 'within hearing' of children which Hughes marked out for a separate adult readership, and the nearly two hundred uncollected poems which he published in periodicals but never reprinted. The various lives of the poetry are here integrated within a single chronology, and the notes give evidence of their interconnection, and of the extent to which revision was integral to this complex and copious body of work. 'A guardian spirit of the land and language.' Seamus Heaney