Description : Previously uncollected pulp fiction by the 20th-century American master. "The uncollected gutbucket ramblings of the grand dirty old man of Los Angeles letters have been gathered in this characteristically filthy, funny compilation ... Bukowkski's gift was a sense for the raunchy absurdity of life, his writing a grumble that might turn into a belly laugh or a racking cough but that always throbbed with vital energy."--Kirkus Reviews From the self-illustrated, unpublished work written in 1947 to hardboiled contributions to 1980s adult magazines,The Bells Tolls for No One presents the entire range of Bukowski's talent as a short story writer, from straight-up genre stories to postmodern blurring of fact and fiction. An informative introduction by editor David Stephen Calonne provides historical context for these seemingly scandalous and chaotic tales, revealing the hidden hand of the master at the top of his form. Born in Andernach, Germany, and raised in Los Angeles, Charles Bukowski published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he would eventually publish more than forty-five books of poetry and prose. He died of leukemia in San Pedro, California on March 9, 1994. David Stephen Calonne is the author of several books and has edited three previous collections of the uncollected work of Charles Bukowski for City Lights:Absence of the Hero,Portions from a Wine-Stained Notebook, andMore Notes of a Dirty Old Man.
Description : In 1937 Ernest Hemingway traveled to Spain to cover the civil war there for the North American Newspaper Alliance. Three years later he completed the greatest novel to emerge from "the good fight," For Whom the Bell Tolls. The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan's love for the beautiful Maria and his superb account of El Sordo's last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in The Sun Also Rises and A Farewell to Arms to create a work at once rare and beautiful, strong and brutal, compassionate, moving and wise. "If the function of a writer is to reveal reality," Maxwell Perkins wrote to Hemingway after reading the manuscript, "no one ever so completely performed it." Greater in power, broader in scope, and more intensely emotional than any of the author's previous works, it stands as one of the best war novels of all time.
Description : Allen Josephs, an internationally recognized Hispanist and Hemingway scholar, here provides the first full-length study of the Nobel Prize-winning writer's masterpiece - and the only study to explore its brilliant blend of accurate historical detail with fictional elements on a heroic and mythic scale. His is also the first study to understand the rich role of ecstasy in the novel, particularly in the love between its hero, demolition expert Robert Jordan, and Maria, the Spanish girl who represents her embattled nation. "The Undiscovered Country" was the title Hemingway had previously chosen for For Whom the Bell Tolls, and Josephs reaches into the heart of the novel to reveal its meaning - as Spain overshadowed by war, as the unknown outcome of the explosion toward which all the action builds, as the unfulfilled future for the lovers Robert Jordan and Maria, and as death, present at every turn of the tale
Description : With Bukowski, the votes are still coming in. There seems to be no middle ground—people seem either to love him or hate him. Tales of his own life and doings are as wild and weird as the very stories he writes. In a sense, Bukowski was a legend in his time . . . a madman, a recluse, a lover . . . tender, vicious . . . never the same . . . these are exceptional stories that come pounding out of his violent and depraved life . . . horrible and holy, you cannot read them and ever come away the same again.
Description : Enter most African American congregations and you are likely to see the century-old pattern of a predominantly female audience led by a male pastor. How do we explain the dedication of African American women to the church, particularly when the church's regard for women has been questioned? Following in the footsteps of Evelyn Brooks Higginbotham's pathbreaking work, Righteous Discontent, Daphne Wiggins takes a contemporary look at the religiosity of black women. Her ethnographic work explores what is behind black women's intense loyalty to the church, bringing to the fore the voices of the female membership of black churches as few have done. Wiggins illuminates the spiritual sustenance the church provides black women, uncovers their critical assessment of the church's ministry, and interprets the consequences of their limited collective activism. Wiggins paints a vivid portrait of what lived religion is like in black women's lives today.
Description : Obsessive Images was first published in 1960. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. As Mark Schorer comments, this is "the last, unfinished work of a distinguished, well loved critic, poet, and professor." After the death of Joseph Warren Beach, his colleague and friend William Van O'Connor, professor of English at the University of Minnesota, prepared the unfinished manuscript of this work for publication and wrote the foreword. The work is primarily a study of certain words, phrases, and images that turn up with unusual frequency in modern American poetry, especially that of the decades of the 1930's and 1940's, and which are used in unusual senses, to carry special symbolisms, or to imply peculiar philosophical attitudes. Since the study is concerned with such recurring images and themes, many poets of distinction, in whose work they are not to be found, are left out, but Professor Beach also discusses the significance of the absence of these poets. Students and critics will gain insight through this work into the characteristic attitudes of a generation of poets. The book is, moreover, a delight to read, reflecting, as it does, Mr. Beach's own love for the study of poetry. As Professor O'Connor points out, the tone is much more personal than that of Mr. Beach's other books.
Description : For Who the Bell Tolls is a book that explains the grammar that people really need to know, such as the fact that an apostrophe is the difference between a company that knows its s*** and a company that knows it's s***, or the importance of capital letters to avoid ambiguity in such sentences as 'I helped my Uncle Jack off his horse.' David Marsh's lifelong mission has been to create order out of chaos. For four decades, he has worked for newspapers, from the Sun to the Financial Times, from local weeklies that sold a few thousand copies to the Guardian, with its global readership of nine million, turning the sow's ear of rough-and-ready reportage into a passable imitation of a silk purse. The chaos might be sloppy syntax, a disregard for grammar or a fundamental misunderstanding of what grammar is. It could be an adherence to 'rules' that have no real basis and get in the way of fluent, unambiguous communication at the expense of ones that are actually useful. Clear, honest use of English has many enemies: politicians, business and marketing people, local authority and civil service jargonauts, rail companies, estate agents, academics . . . and some journalists. This is the book to help defeat them. 'A splendid and, more importantly, sane book on English grammar.' Mark Forsyth, author of The Etymologicon
Description : September 1st, 2014 marked the centenary of one of the best-documented extinctions in history – the demise of the Passenger Pigeon. From being the commonest bird on the planet 50 years earlier, the species became extinct on that fateful day, with the death in Cincinnati Zoo of Martha – the last of her kind. This book tells the tale of the Passenger Pigeon, and of Martha, and of author Mark Avery's journey in search of them. It looks at how the species was a cornerstone of the now much-diminished ecology of the eastern United States, and how the species went from a population that numbered in the billions to nil in a terrifyingly brief period of time. It also explores the largely untold story of the ecological annihilation of this part of America in the latter half of the 19th century, a time that saw an unprecedented loss of natural beauty and richness as forests were felled and the prairies were ploughed, with wildlife slaughtered more or less indiscriminately. Despite the underlying theme of loss, this book is more than another depressing tale of human greed and ecological stupidity. It contains an underlying message – that we need to re-forge our relationship with the natural world on which we depend, and plan a more sustainable future. Otherwise more species will go the way of the Passenger Pigeon. We should listen to the message from Martha.
Description : Written in consideration of cross-cultural, international perspectives on loss, Perspectives on Loss and Trauma discusses relevant therapy approaches and emphasizes a story-telling approach to coping with major loss. It concludes with chapters on therapy and personal adjustment to loss, providing immediate applicability to counselors, therapists, social workers, and other human service professionals.