The Black Jacobins

In 1789 the West Indian colony of San Domingo supplied two-thirds of the overseas trade of France. The entire structure of what was arguably the most profitable colony in the world rested on the labour of half a million slaves. In 1791 the waves of unrest inspired by the French Revolution reached across the Atlantic dividing the loyalties of the white population of the island. The brutally treated slaves of Saint Domingo seized at this confusion and rose up in rebellion against masters. In thisclassic work, CLR James chronicles the only successful slave revolt in history and provides a critical portrait of their leader, Toussaint L'Ouverture, 'one of the most remarkable men of a period rich in remarkable men'.

Containing a wealth of new scholarship and rare primary documents, The Black Jacobins Reader provides a comprehensive analysis of C. L. R. James's classic history of the Haitian Revolution. In addition to considering the book's literary qualities and its role in James's emergence as a writer and thinker, the contributors discuss its production, context, and enduring importance in relation to debates about decolonization, globalization, postcolonialism, and the emergence of neocolonial modernity. The Reader also includes the reflections of activists and novelists on the book's influence and a transcript of James's 1970 interview with Studs Terkel. Contributors. Mumia Abu-Jamal, David Austin, Madison Smartt Bell, Anthony Bogues, John H. Bracey Jr., Rachel Douglas, Laurent Dubois, Claudius K. Fergus, Carolyn E. Fick, Charles Forsdick, Dan Georgakas, Robert A. Hill, Christian Høgsbjerg, Selma James, Pierre Naville, Nick Nesbitt, Aldon Lynn Nielsen, Matthew Quest, David M. Rudder, Bill Schwarz, David Scott, Russell Maroon Shoatz, Matthew J. Smith, Studs Terkel

The Haitian Revolution, the product of the first successful slave revolt, was truly world-historic in its impact. When Haiti declared independence in 1804, the leading powers—France, Great Britain, and Spain—suffered an ignominious defeat and the New World was remade. The island revolution also had a profound impact on Haiti’s mainland neighbor, the United States. Inspiring the enslaved and partisans of emancipation while striking terror throughout the Southern slaveocracy, it propelled the fledgling nation one step closer to civil war. Gerald Horne’s path breaking new work explores the complex and often fraught relationship between the United States and the island of Hispaniola. Giving particular attention to the responses of African Americans, Horne surveys the reaction in the United States to the revolutionary process in the nation that became Haiti, the splitting of the island in 1844, which led to the formation of the Dominican Republic, and the failed attempt by the United States to annex both in the 1870s. Drawing upon a rich collection of archival and other primary source materials, Horne deftly weaves together a disparate array of voices—world leaders and diplomats, slaveholders, white abolitionists, and the freedom fighters he terms Black Jacobins. Horne at once illuminates the tangled conflicts of the colonial powers, the commercial interests and imperial ambitions of U.S. elites, and the brutality and tenacity of the American slaveholding class, while never losing sight of the freedom struggles of Africans both on the island and on the mainland, which sought the fulfillment of the emancipatory promise of 18th century republicanism.

'In overthrowing me, you have done no more than cut down the trunk of the tree of liberty - it will spring back from the roots, for they are numerous and deep.'- Toussaint LouvertureThe leader of the only successful slave revolt in history, Toussaint Louverture is seen by many to be one of the greatest anti-imperialist fighters who ever lived. Born into slavery on a Caribbean plantation, he was able to break from his bondage to lead an army of freed African slaves to victory against the professional armies of France, Spain and Britain in the Haitian Revolution of 1791-1804.In this biography, Louverture's fascinating life is explored through the prism of his radical politics. It champions this 'black Robespierre' whose revolutionary legacy had inspired people and movements in the two centuries since his death.For anyone interested in the roots of modern-day resistance movements and black political radicalism, Louverture's extraordinary life provides the perfect starting point.

C. L. R. James's The Black Jacobins remains one of the great works of the twentieth century and the cornerstone of Haitian revolutionary studies. In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of James's landmark work across the decades from the 1930s on. Examining the 1938 and 1963 editions of The Black Jacobins, the 1967 play of the same name, and James's 1936 play, Toussaint Louverture—as well as manuscripts, notes, interviews, and other texts—Douglas shows how James continuously rewrote and revised his history of the Haitian Revolution as his politics and engagement with Marxism evolved. She also points to the vital significance theater played in James's work and how it influenced his views of history. Douglas shows The Black Jacobins to be a palimpsest, its successive layers of rewriting renewing its call to new generations.

Today we take it for granted that history is much more than the story of great men and the elites from which they spring. Other forms of history - the histories of gender, class, rebellion and nonconformity - add much-needed context and color to our understanding of the past. But this has not always been so. In CLR James's The Black Jacobins, we have one of the earliest, and most defining, examples of how 'history from below' ought to be written. James's approach is based on his need to resolve two central problems: to understand why the Haitian slave revolt was the only example of a successful slave rebellion in history, and also to grasp the ways in which its history was intertwined with the history of the French Revolution. The book's originality, and its value, rests on its author's ability to ask and answer productive questions of this sort, and in the creativity with which he proved able to generate new hypotheses as a result. As any enduring work of history must be, The Black Jacobins is rooted in sound archival research - but its true greatness lies in the originality of James's approach.

Thе Blасk Jacobins trасеѕ the remarkable hіѕtоrу оf thе rеvоlutіоn іn the Frеnсh соlоnу оf Sаn Domingo (mоdеrn day Haiti). It dеѕсrіbеѕ thе events thаt hеlреd thе rеvоlutіоn bесоmе thе fіrѕt ѕuссеѕѕful ѕlаvе rеbеllіоn іn hіѕtоrу. In раrtісulаr, Thе Blасk Jасоbіnѕ vіеwѕ thе events thrоugh thе prism of the rеvоlutіоn'ѕ grеаtеѕt figure, Tоuѕѕаіnt L'Ouvеrturе. It ѕhоwѕ how hе, a fоrmеr slave whо was іnѕріrеd bу the іdеаlѕ оf thе Frеnсh Revolution, ѕuссеѕѕfullу defeated thе European еmріrеѕ аnd helped to dеѕtrоу thе brutal practice оf slavery іn San Domingo. This book is a SUMMARY. It is meant to be a companion, not a replacement, to the original book.

A fascinating, immensely readable biography of one of the most important radical intellectuals of the twentieth century.

A new critical edition of Toussaint Louverture, the play written by the Trinidadian intellectual and activist C. L. R. James in 1934, performed at London's Westminster Theatre in 1936, and then presumed lost until its rediscovery in 2005.

DIVUses C.L.R. James’sThe Black Jacobins as a jumping-off point for a reconsideration of colonial and postcolonial concepts of history, politics, and agency./div

C. L. R. James in Imperial Britain chronicles the life and work of the Trinidadian intellectual and writer C. L. R. James during his first extended stay in Britain, from 1932 to 1938. It reveals the radicalizing effect of this critical period on James's intellectual and political trajectory. During this time, James turned from liberal humanism to revolutionary socialism. Rejecting the "imperial Britishness" he had absorbed growing up in a crown colony in the British West Indies, he became a leading anticolonial activist and Pan-Africanist thinker. Christian Høgsbjerg reconstructs the circumstances and milieus in which James wrote works including his magisterial study The Black Jacobins. First published in 1938, James's examination of the dynamics of anticolonial revolution in Haiti continues to influence scholarship on Atlantic slavery and abolition. Høgsbjerg contends that during the Depression C. L. R. James advanced public understanding of the African diaspora and emerged as one of the most significant and creative revolutionary Marxists in Britain.

2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical Association As the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora. In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era.

`An incisive synthesis of developments in North America, the Caribbean and Latin America. Blackburn's book is bold and original.' Richard Dunn, Times Literary Supplement --