The Bronze Horseman

The golden skies, the translucent twilight, the white nights, all hold the promise of youth, of love, of eternal renewal. The war has not yet touched this city of fallen grandeur, or the lives of two sisters, Tatiana and Dasha Metanova, who share a single room in a cramped apartment with their brother and parents. Their world is turned upside down when Hitler's armies attack Russia and begin their unstoppable blitz to Leningrad. Yet there is light in the darkness. Tatiana meets Alexander, a brave young officer in the Red Army. Strong and self-confident, yet guarding a mysterious and troubled past, he is drawn to Tatiana—and she to him. Starvation, desperation, and fear soon grip their city during the terrible winter of the merciless German siege. Tatiana and Alexander's impossible love threatens to tear the Metanova family apart and expose the dangerous secret Alexander so carefully protects—a secret as devastating as the war itself—as the lovers are swept up in the brutal tides that will change the world and their lives forever.

This is a comprehensive treatment of the most consequential work of art ever to be executed in Russia - the equestrian monument to Peter the Great. Schenker deals with the cultural setting that prepared the ground for the monument and provides life stories of those who were involved in its creation.

Justinian's triumphal column was the tallest free-standing column of the pre-modern world and was crowned with arguably the largest metal equestrian sculpture created anywhere in the world before 1699. The Byzantine empire's bronze horseman towered over the heart of Constantinople, assumed new identities, spawned conflicting narratives, and acquired widespread international acclaim. Because all traces of Justinian's column were erased from the urban fabric of Istanbul in the sixteenth century, scholars have undervalued its astonishing agency and remarkable longevity. Its impact in visual and verbal culture was arguably among the most extensive of any Mediterranean monument. This book analyzes Byzantine, Islamic, Slavic, Crusader, and Renaissance historical accounts, medieval pilgrimages, geographic, apocalyptic and apocryphal narratives, vernacular poetry, Byzantine, Bulgarian, Italian, French, Latin, and Ottoman illustrated manuscripts, Florentine wedding chests, Venetian paintings, and Russian icons to provide an engrossing and pioneering biography of a contested medieval monument during the millennium of its life.

This eBook features the unabridged text of ‘The Bronze Horseman by Alexander Pushkin - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of Alexander Pushkin’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Pushkin includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Bronze Horseman by Alexander Pushkin - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Pushkin’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

Provides a representative sampling of Pushkin's narrative poems, plays in verse, and shorter lyrics

This volume brings together for comparison three Russian narrative poems by authors who lived in different periods of modern Russian history, covering among their lifespans the whole of the 19th century and two decades of the 20th century. Numerous points of contact are seen to emerge, ranging from historical matters to a concurrence of ideas iterating the tragic nature of human life and destiny.

The epic saga of love and war continues—the heart-stopping sequel to Paullina Simons's beloved international bestseller The Bronze Horseman. Tatiana is eighteen years old, pregnant, and widowed when she escapes war-torn Leningrad to find a new life in America. But the ghosts of her past do not rest easily. She becomes consumed by the belief that her husband, Red Army officer Alexander Belov, is still alive and needs her desperately. Meanwhile, oceans and continents away in the Soviet Union, Alexander barely escapes execution, and is forced to lead a battalion of soldiers considered expendable by the Soviet high command. Yet Alexander is determined to take his men through the ruins of Europe in one last desperate bid to escape Stalin's death machine and somehow find his way to Tatiana once again.

In 1833 Alexander Pushkin began to explore the topic of madness, a subject little explored in Russian literature before his time. The works he produced on the theme are three of his greatest masterpieces: the prose novella The Queen of Spades, the narrative poem The Bronze Horseman, and the lyric "God Grant That I Not Lose My Mind." Gary Rosenshield presents a new interpretation of Pushkin's genius through an examination of his various representations of madness. Pushkin brilliantly explored both the destructive and creative sides of madness, a strange fusion of violence and insight. In this study, Rosenshield illustrates the surprising valorization of madness in The Queen of Spades and "God Grant That I Not Lose My Mind" and analyzes The Bronze Horseman's confrontation with the legacy of Peter the Great, a cornerstone figure of Russian history. Drawing on themes of madness in western literature, Rosenshield situates Pushkin in a greater framework with such luminaries as Shakespeare, Sophocles, Cervantes, and Dostoevsky providing an insightful and absorbing study of Russia's greatest writer.

The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.

Brings together a collection of his prose- lectures, talks, and essays- from the last two decades of his writing.

A clear, detailed and accessible account of all Pushkin's poetry

The passionate love story that led to The Bronze Horseman. They gave up everything to be together, but love was just the beginning âe¦ Italian immigrant Gina, independent, compassionate and strong, desperately wants a family. Boston blue-blood Harry, idealistic and political, wants to create a better world. Bound together by tormented passion, they rail, rage, and break each otherâe(tm)s hearts, only to come face to face with a stark final choice that will forever determine their destiny. Their journey takes them through four decades and two continents, through triumph and turmoil, from the wooden planks of the troubled immigrant town of Lawrence, Massachusetts, to the marble halls and secret doors of a mystical place called âe¦ Bellagrand. From internationally bestselling author Paullina Simons comes the passionate love story that led to The Bronze Horseman.

Pushkin's status as the founding father of Russian literature owes much to his stylistic and linguistic innovations across a wide range of literary genres. But equally important is the influence he exerted on his successors via his exploitation of myth in its widest sense. His poetry, prose and drama frequently draw upon myths of classical antiquity, myths of modern European culture – grand narratives such as the Don Juan legend and Dante'sInferno – as well as uniquely Russian myths, particularly those associated with St Petersburg and its founder Peter the Great. It was through the elaboration of such myths that Russia attained to a sense of both its cultural uniqueness and its inscription in the broader context of European culture. The contributors to Alexander Pushkin: Myth and Monumentexplore these myths from a variety of critical viewpoints and highlight the specific ways in which Pushkin uses myth – among these his recurrent emphasis on the symbolism of monuments and statuary, famously referred to by Roman Jakobson as Pushkin's 'sculptural myth'.Alexander Pushkin: Myth and Monument is the second volume devoted to Pushkin published in the SSLP series, the first beingPushkin's Secret: Russian Writers Reread and Rewrite Pushkin. A third volume –Pushkin's Legacy will follow.

Since the nineteenth century, the great Russian writer Alexander Pushkin has been a cultural myth, a figure absolutely central to Russian culture, even to "Russianness" itself. In this volume distinguished American Slavists address Pushkin's writings from a multiplicity of contemporary literary perspectives and investigate some of the most puzzling issues in the poet's life and work.

This is a comprehensive treatment of the most consequential work of art ever to be executed in Russia - the equestrian monument to Peter the Great, or The Bronze Horseman, as it has come to be known since it appeared in Alexander Pushkin's poem bearing that title. monument and provides life stories of those who were involved in its creation: the sculptors Etienne-Maurice Falconet and Marie-Anne Collot, the engineer Marin Carburi, the diplomat Dmitry Golitsyn and Catherine's commissar for culture, Ivan Betskoi. He also touches upon the extraordinary resonance of the monument in Russian culture, which, since the unveiling in 1782, has become the icon of St. Petersburg and has alimented the so-called St. Petersburg theme in Russian letters, familiar from the works of such writers as Pushkin, Dostoevsky, Gogol and Bely.

Romantic Poetry encompasses twenty-seven new essays by prominent scholars on the influences and interrelations among Romantic movements throughout Europe and the Americas. It provides an expansive overview of eighteenth- and nineteenth-century poetry in the European languages. The essays take account of interrelated currents in American, Argentinian, Brazilian, Bulgarian, Canadian, Caribbean, Chilean, Colombian, Croatian, Czech, Danish, English, Estonian, Finnish, French, German, Greek, Hungarian, Irish, Italian, Mexican, Norwegian, Peruvian, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, and Uruguayan literature. Contributors adopt different models for comparative study: tracing a theme or motif through several literatures; developing innovative models of transnational influence; studying the role of Romantic poetry in socio-political developments; or focusing on an issue that appears most prominently in one national literature yet is illuminated by the international context. This collaborative volume provides an invaluable resource for students of comparative literature and Romanticism.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.