Description : This is a collection of new essays on Peter Tremayne’s Sister Fidelma novels, which feature Sister Fidelma’s attempts to solve a wide range of crimes, often murders that occur under especially mysterious conditions. The novels, set mainly in 7th century Ireland, also include a great deal of history, which is not surprising given that the author is actually Peter Berresford Ellis, a noted Celtic historian. Some of the essays analyze aspects of the novels, focusing especially on the protagonist and her partner in detection and, ultimately, husband, Brother Eadulf. Other essays place Fidelma and the novels within the tradition of detective fiction. Still others explore the historical, intellectual, spiritual and geographical contexts for her labors. Also included are accounts of the author’s career, the International Sister Fidelma Society, and the biennial Sister Fidelma conferences held in Cashel, Ireland.
Description : The first book to assess critically mystery in children's literature, this collection charts a development from religious mystery through rationally solved detective fictions to insoluble supernatural and horror mysteries. Written by internationally recognised scholars in the field, these thirteen original essays offer challenging and innovative readings of both classic and popular mysteries for children. This volume will be essential and stimulating reading for anyone with an interest in children's literature or in mystery fiction.
Description : The book is divided into two parts. In the first, the reader is taken on an ideal ‘world tour’ of many wonderful and enigmatic places in almost every continent, in search of traces of astronomical knowledge and lore of the sky. In the second part, Giulio Magli uses the elements presented in the tour to show that the fundamental idea which led to the construction of the astronomically-related giant monuments was the foundation of power, a foundation which was exploited by ‘replicating’ the sky. A possible interpretive model then emerges that is founded on the relationship the ancients had with “nature”, in the sense of everything that surrounded them, the cosmos. The numerous monumental astronomically aligned structures of the past then become interpretable as acts of will, expressions of power on the part of those who held it; the will to replicate the heavenly plane here on earth and to build sacred landscapes. Finally, having formulated his hypothesis, Professor Magli returns to visit one specific place in detail, searching for proof. This in-depth examination studies the most compelling, the most intensively studied, the most famous and, until recently, the most misunderstood sacred landscape on the planet - Giza, in Egypt. The archaeoastronomical analysis of the orientation of the Giza pyramids leads to the hypothesis that the pyramids of Cheops and Chephren belong to the same construction project.
Description : In this book, Hustvedt gives us nine essays on the significance of particular works of art, replete with original insights and a few startling discoveries. In her essay on Giorgione's The Tempest, a painting that has mystified art critics for hundreds of years, the author reinterprets the canvas as a work about art and voyeurism. While looking at The Third of May, she was astonished to discover that Goya had hidden his own self-portrait in a shadowy corner of his iconic masterwork. More than anything, the essays in this book display a true passion for art, from the still lifes of Jean-Baptiste Chardin and Giorgio Morandi to the contemporary works of Joan Mitchell and Gerhard Richter. Hustvedt captures perfectly the pleasure found in giving oneself up to the complexities and ambiguities of painting, discovering new subtleties and surprises the longer one takes the time to look.--Back cover.
Description : Reproductions of primitive and nineteenth-century drawings and modern photographs illustrate an inquiry into the histories, construction, and purposes of ancient Mexican and Central American pyramids
Description : The Canon is the numerical interpretation of the Cosmic law and, since man is a microcosm of the universe, it is also the law of human nature. The history of all civilizations is the history of their interpretation of the Canon. Codified by ancient philosophers and guarded by priests in the temples, the Canon sanctified the society that possessed it, regulating its institutions in accordance with the laws of nature. Plato, writing in "The Laws of the Egyptian Canon, " claimed that by its use the high civilization of ancient Egypt had been preserved from deterioration for 10,000 years. The Canon was instituted by the ancient theocracies as a standard in music, architecture and all other arts. Even after the decline of the old world order and of the canonical standard, knowledge of the Canon was preserved in the mystery schools of Greece and Alexandria, and in the tradition of masonic and other craft guilds. One of the most revolutionary books of the late 19th century, The Canon owes its high reputation to the august literary style of its author, as well as to its remarkable contents. Its strong influence on modern mysticism was acknowledged by Aleister Crowley and F. Bligh Bond among others, and has long been a prized item in the library of the discerning mystic.