Description : Before the rise of universities, cathedral schools educated students in a course of studies aimed at perfecting their physical presence, their manners, and their eloquence. The formula of cathedral schools was "letters and manners" (litterae et mores), which asserts a pedagogic program as broad as the modern "letters and science." The main instrument of what C. Stephen Jaeger calls "charismatic pedagogy" was the master's personality, his physical presence radiating a transforming force to his students. In The Envy of Angels, Jaeger explores this intriguing chapter in the history of ideas and higher learning and opens a new view of intellectual and social life in eleventh- and early twelfth-century Europe.
Description : In New York, eating out can be hell. Everyone loves a well-catered event, and the supernatural community is no different, but where do demons go to satisfy their culinary cravings? Welcome to Sin du Jour - where devils on horseback are the clients, not the dish. Sin du Jour Book 1: Envy of Angels Book 2: Lustlocked Book 3: Pride's Spell Book 4: Idle Ingredients Book 5: Greedy Pigs Book 6: Gluttony Bay Book 7: Taste of Wrath PRAISE FOR ENVY OF ANGELS: "Matt Wallace tells a raucous, riotous tale of culinary madness - a jaw-dropping horror-fantasy restaurateur Thunderdome that makes the 'monkey brain' scene in Temple of Doom look like something you'd see on Nickelodeon. It's like I dropped a heroic dose of acid and turned on the Food Network for eight hours. It's funny and demented and sticks in you like a pinbone. Matt Wallace writes like someone just jammed a needle full of adrenaline in his heart - and then, in yours. From this point forward, I'll read anything this guy writes." — Chuck Wendig, author of Blackbirds and Zer0es "No one makes me think, 'Dammit, I should have thought of that!' like Matt Wallace. The Sin du Jour series is something I read with equal amounts of envy and delight." — Mur Lafferty, Campbell Award winning author of The Shambling Guide to New York City "Envy of Angels is one of the most original urban fantasies I've read in a damn long time. Angels, demons and the New York restaurant scene. It doesn't get any weirder than this. Matt Wallace is an author to watch." — Stephen Blackmoore, author of Dead Things and Broken Souls "Envy of Angels is exactly the breath of fresh air I didn't know I needed: darkly funny, sweepingly inventive, and just plain fun to read. Every time I thought I got the hang of this book, the next turn took me someplace even more breathtakingly weird and wonderful. Buy it. DO IT NOW. It's the only way we can force him to write a dozen more of these!" — Andrea Phillips, author of Revision At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Description : OPEN YOUR EYES to a WHOLE NEW WORLD Beyond our normal senses there lies another dimension more real and lasting than anything we can imagine. It is a world populated by both angels and demons, and it is essential that we understand it. In Angels and Demons Ron Phillips brings you a definitive guide to these supernatural beings, providing a basic training manual in the war between good and evil. We are not powerless against the forces of darkness, but to survive we must know both our allies and our real enemies. Divided into two parts for easy understanding, sections include: ANGELS * Where they originated * How they operate * How they are activated DEMONS * Tracing their history * Understanding their dynasty * Enforcing and maintaining the victory over them
Description : Hugh of Amiens (c. 1085-1164) was an important intellectual figure in the twelfth century. During a long life he served as a cleric, Cluniac monk, abbot, and archbishop of Rouen. He wrote a number of works including poems, biblical exegesis, anti-heretical polemics, and most importantly one of the earliest collections of systematic theology, his Dialogues. This book examines all of Hugh's writings to uncover a better understanding not only of this individual, but also of the twelfth-century as a whole, especially the theological preoccupations of the period, including the development of systematic theology and views on the differences of the monastic and clerical ways of life.
Description : Among those who denounced the study of the philosophical tradition of classical antiquity was Manegold of Lautenbach. He aimed his fiery polemical tract, the "Liber contra Wolfelmum", at a master from Cologne who glorified the ancients while siding with the Holy Roman Emperor, Henry IV (1056-1106), against Pope Gregory VII (1073-1085) in the struggle known as the Investiture Controversy.
Description : The Oxford Handbook of Medieval Christianity takes as its subject the beliefs, practices, and institutions of the Christian Church between 400 and 1500AD. It addresses topics ranging from early medieval monasticism to late medieval mysticism, from the material wealth of the Church to the spiritual exercises through which certain believers might attempt to improve their souls. Each chapter tells a story, but seeks also to ask how and why 'Christianity' took particular forms at particular moments in history, paying attention to both the spiritual and otherwordly aspects of religion, and the material and political contexts in which they were often embedded. This Handbook is a landmark academic collection that presents cutting-edge interpretive perspectives on medieval religion for a wide academic audience, drawing together thirty key scholars in the field from the United States, the UK, and Europe. Notably, the Handbook is arranged thematically, and focusses on an analytical, rather than narrative, approach, seeking to demonstrate the variety, change, and complexity of religion throughout this long period, and the numerous different ways in which modern scholarship can approach it. While providing a very wide-ranging view of the subject, it also offers an important agenda for further study in the field.
Description : In the Christian tradition, especially in the works of Paul, Augustine, and the exegetes of the Middle Ages, the body is a twofold entity consisting of inner and outer persons that promises to find its true materiality in a time to come. A potentially transformative vehicle, it is a dynamic mirror that can reflect the work of the divine within and substantially alter its own materiality if receptive to divine grace. The writings of Hadewijch of Brabant, a thirteenth-century beguine, engage with this tradition in sophisticated ways both singular to her mysticism and indicative of the theological milieu of the twelfth and thirteenth centuries. Crossing linguistic and historical boundaries, Patricia Dailey connects the embodied poetics of Hadewijch's visions, writings, and letters to the work of Julian of Norwich, Hildegard of Bingen, Marguerite of Oingt, and other mystics and visionaries. She establishes new criteria to more consistently understand and assess the singularity of women's mystical texts and, by underscoring the similarities between men's and women's writings of the time, collapses traditional conceptions of gender as they relate to differences in style, language, interpretative practices, forms of literacy, and uses of textuality.
Description : Using one man as a lens, a man known variously as Folquet, Folques, Folco, and Folc, it will examine some of the important changes and developments of the period from a new, more human, perspective.
Description : Devotion to the crucified Christ is one of the most familiar, yet most disconcerting artifacts of medieval European civilization. How and why did the images of the dying God-man and his grieving mother achieve such prominence, inspiring unparalleled religious creativity as well such imitative extremes as celibacy and self-flagellation? To answer this question, Rachel Fulton ranges over developments in liturgical performance, private prayer, doctrine, and art. She considers the fear occasioned by the disappointed hopes of medieval Christians convinced that the apocalypse would come soon, the revulsion of medieval Jews at being baptized in the name of God born from a woman, the reform of the Church in light of a new European money economy, the eroticism of the Marian exegesis of the Song of Songs, and much more. Devotion to the crucified Christ is one of the most familiar yet disconcerting artifacts of medieval European civilization. How and why did the images of the dying God-man and his grieving mother achieve such prominence, inspiring unparalleled religious creativity and emotional artistry even as they fostered such imitative extremes as celibacy, crusade, and self-flagellation? Magisterial in style and comprehensive in scope, From Judgment to Passion is the first systematic attempt to explain the origins and initial development of European devotion to Christ in his suffering humanity and Mary in her compassionate grief. Rachel Fulton examines liturgical performance, doctrine, private prayer, scriptural exegesis, and art in order to illuminate and explain the powerful desire shared by medieval women and men to identify with the crucified Christ and his mother. The book begins with the Carolingian campaign to convert the newly conquered pagan Saxons, in particular with the effort to explain for these new converts the mystery of the Eucharist, the miraculous presence of Christ's body at the Mass. Moving on to the early eleventh century, when Christ's failure to return on the millennium of his Passion (A.D. 1033) necessitated for believers a radical revision of Christian history, Fulton examines the novel liturgies and devotions that arose amid this apocalyptic disappointment. The book turns finally to the twelfth century when, in the wake of the capture of Jerusalem in the First Crusade, there occurred the full flowering of a new, more emotional sensibility of faith, epitomized by the eroticism of the Marian exegesis of the Song of Songs and by the artistic and architectural innovations we have come to think of as quintessentially high medieval. In addition to its concern with explaining devotional change, From Judgment to Passion presses a second, crucial question: How is it possible for modern historians to understand not only the social and cultural functions but also the experience of faith—the impulsive engagement with the emotions, sometimes ineffable, of prayer and devotion? The answer, magnificently exemplified throughout this book's narrative, lies in imaginative empathy, the same incorporation of self into story that lay at the heart of the medieval effort to identify with Christ and Mary in their love and pain.