The Exile

"The Persian era in Ancient Israel's history is an intriguing period. The time span between Cyrus the Great and Alexander the Great was a theatre of shifts and changes. These changes are observable in daily life, in the organisation of society as well as in various religious phenomena. The essays in this volume originate from a seminar about developments and movements in the religion of Israel after the Exile, which was part of the first meeting of the European Association for Biblical Studies (Utrecht, 2000). The essays deal with questions like: How did religion help inhabitants of Yehud to cope with the new reality? How did this new reality influence the (re)formulation of Yahwism? What was the character of the existing Yahwism that was reformulated?"--

In the third and final book of The Healer's Trilogy fantasy novel series, Sharon Skinner brings the story of Kira to an epic conclusion. "You are who you are because of your choices," Heresta’s voice whispered in her head. "You cannot walk another’s path." With the Matriarch dead and Eilar’s protective barriers devastated, Kira’s homeland is at risk. Amid the resulting aftermath of fear and insecurity, mounting tensions cause a rift in the Eilaran leadership. Against the ruling council’s will, Kira embarks upon a hazardous quest to discover the workings of her mad half-brother Kavyn’s shattered focus stone. But will the strange stone turn out to be a boon for the imperiled land, or unleash a bane that will ultimately destroy Kira and the land and people she is determined to save.

An American journalist's unflinching account, published in two volumes in 1891, of Russia's brutal penal system in Siberia.

The Exile's Papers, Part One, considers the implications of duplicity in autobiography as they appear in the first two hundred or so sonnets of a four-volume sonnet cycle completed over the past twenty years by the Lost Poet of the 1960s, confronted at the end of the middle game by anonymity on the one hand, and by opportunity the mass of a black hole on the other, in which Rilke, in his guise as Witness to the Angel, speculates on raw, necessary existence. Disney's Jiminy Cricket remains, of course, unconvinced.

Wayne Clifford’s The Exile’s Papers first appeared in 2007 with the publication of The Duplicity of Autobiography, but this creative project – a four-part series of hundreds of surreal, straightforward, narrative or mythic, and endlessly varying sonnets – is the culmination of decades of effort. In 2009 the series continued with The Face As Its Thousand Ships, and now emerges the third installment: The Dirt’s Passion Is Flesh Sorrow. Described by critics as ‘resonant’, ‘striking’, ‘quixotic’, ‘elegant’, ‘ribald’ and ‘jazzy’, Clifford’s sonnets defy categories or boundaries. He is a master of the form and every page is an example of how a great poet can use a complicated structure to achieve depth of thought, beauty and explosive resolutions (or, in many cases, questions). In fact, every poem reinvents the sonnet itself, and, despite all poems sharing the same form, each one is sharply, conclusively differentiated from the others. These are sonnets like you’ve never read before. Clifford often draws on his own life experiences – fatherhood, love, death and uncertainty – but he also has plenty to say about God, pop culture and the foolhardiness of certain current political figures. In the end, though, the collection remains a remarkably cohesive, intelligent and death-defying foray into an ancient form that never knew what hit it.

An important novel that is as compassionate as it is eye-opening, The Exile and the Mapmaker is a testament to the triumph of the human spirit. Theo, an aging Parisian cartographer, is desperately searching for the woman he once loved before Alzheimer’s takes his memories of her. Elise, his estranged daughter, moves in to take care of him. She still blames him for the tragic loss of her mother and is struggling with this new forced intimacy. Nebay, an Eritrean refugee, becomes Theo’s carer and friend. Unbeknownst to Elise, Nebay does not have a visa for France and is working illegally in order to support his sister. Each one is living a life of questions and secrets in a world where Nebay’s very presence in the France of Theo’s maps is steeped in uncertainty. ‘A beautifully written and moving story of human connections, the many ways our lives can fracture and the courage needed for repair.’ Katherine Stansfield ‘Here the camps, refugees and political struggles we know from the papers come together in a story no paper can ever tell us. It's a story of memory, loss, redemption, and of love in all its many guises... A very moving book.’ Matthew Francis 'The characters are brilliantly done... it is very difficult not to fall in love with everyone. Being whisked away to Paris was a joy. An emotional and eye-opening reading experience and I would definitely recommend you give it a try.' @stories_with_hope 'A heart-warming story that sensitively captures a plethora of timely issues. Emma Musty has crafted an enlightening and charming novel that kept me engrossed to the very end. Truly worth reading!' @bibliobushra 'A historical but at times oh so present novel, full of thought changing anecdotes and meaningful quotes, with a heartbreaking culturally evil story surrounding such words... A beautifully written story' @lost_in_her_bookland 'Thought provoking and emotional, this story opens your eyes and enthrals you with the beautiful story that is written between the pages.' @SecretWorldOfaBook

An original study of exile, told through the biography of Austrian writer Stefan Zweig By the 1930s, Stefan Zweig had become the most widely translated living author in the world. His novels, short stories, and biographies were so compelling that they became instant best sellers. Zweig was also an intellectual and a lover of all the arts, high and low. Yet after Hitler’s rise to power, this celebrated writer who had dedicated so much energy to promoting international humanism plummeted, in a matter of a few years, into an increasingly isolated exile—from London to Bath to New York City, then Ossining, Rio, and finally Petrópolis—where, in 1942, in a cramped bungalow, he killed himself. The Impossible Exile tells the tragic story of Zweig’s extraordinary rise and fall while it also depicts, with great acumen, the gulf between the world of ideas in Europe and in America, and the consuming struggle of those forced to forsake one for the other. It also reveals how Zweig embodied, through his work, thoughts, and behavior, the end of an era—the implosion of Europe as an ideal of Western civilization.

Writings of Exile in the English Revolution and Restoration opens a window onto exile in the years 1640-1680, as it is experienced across a broad spectrum of political and religious allegiances, and communicated through a rich variety of genres. Examining previously undiscovered and understudied as well as canonical writings, it challenges conventional paradigms which assume a neat demarcation of chronology, geography and allegiance in this seminal period of British and American history. Crossing disciplinary lines, it casts new light on how the ruptures -- and in some cases liberation -- of exile in these years both reflected and informed events in the public sphere. It also lays bare the personal, psychological and familial repercussions of exile, and their attendant literary modes, in terms of both inner, mental withdrawal and physical displacement.