Description : The Myth of the Lost Cause and Civil War HistoryEdited by Gary W. Gallagher and Alan T. Nolan Nine distinguished historians debunk the myth of the Lost Cause. The Myth of the Lost Cause and Civil War History posits the following notion: that the Confederacy was doomed from the start in its struggle against the superior might of the Union, but its forces fought heroically against all odds for the cause of states' rights. In reality, this was and is an elaborate and intentional effort on the part of Southerners to rationalize the secession and the war itself. Unfortunately, skillful propagandists (beginning with Jubal Early) have been so successful in promoting this romanticized view that the Lost Cause has assumed a life of its own, leaving truth in the dust. Misrepresenting the war's true origins and its actual course, the myth of the Lost Cause distorts our national memory. The controversy currently raging in South Carolina, Georgia, and Texas over the display of Confederate symbols illustrates the power and saliency of this myth. In The Myth of the Lost Cause, nine historians describe and analyze the Lost Cause, identifying the ways in which it falsifies history. They have created a thoughtful and provocative volume that makes a major contribution to Civil War historiography. Alan T. Nolan is author of Lee Considered and The Iron Brigade and is editor of Giants in Their Tall Black Hats, the latter two books published by Indiana University Press. Gary W. Gallagher is Professor of History at the University of Virginia. He has written and published numerous books on the Civil War, including Lee and His Generals in War and Memory, Lee the Soldier, and The Confederate War. [Note: Must include contents in catalog.]ContentsIntroduction, Gary W. GallagherThe Anatomy of the Myth, Alan T. NolanJubal A. Early, The Lost Cause and Civil War History, A Persistent Legacy, Gary W. GallagherIs Our Love for Wade Hampton Foolishness?: South Carolina and the Lost Cause, Charles J. HoldenThese Few Gray-haired, Battle-Scarred Veterans: Confederate Army Reunions in Georgia (1885-1895), Keith S. BohannonNew South Visionaries: Virginia's Last Generation of Slaveholders: The Gospel of Progress and the Lost Cause, Peter J. CarmichaelJames Longstreet and the Lost Cause, Jeffrey D. WertContinuous Hammering and Mere Attrition: Lost Cause Critics and the Military Reputation of Ulysses S. Grant, Brooks D. SimpsonLet the People See the Old Life as It Was: Lasalle Corbell Pickett and the Myth of the Lost Cause, Lesley J. GordonThe Immortal Confederacy: Another Look at Lost Cause Religion, Lloyd A. Hunter
Description : A book to challenge the status quo, spark a debate, and get people talking about the issues and questions we face as a country!
Description : At the end of the Civil War, Union general William Tecumseh Sherman was surprisingly more popular in the newly defeated South than he was in the North. Yet, only thirty years later, his name was synonymous with evil and destruction in the South, particularly as the creator and enactor of the “total war” policy. In Demon of the Lost Cause, Wesley Moody examines these perplexing contradictions and how they and others function in past and present myths about Sherman. Throughout this fascinating study of Sherman’s reputation, from his first public servant role as the major general for the state of California until his death in 1891, Moody explores why Sherman remains one of the most controversial figures in American history. Using contemporary newspaper accounts, Sherman’s letters and memoirs, as well as biographies of Sherman and histories of his times, Moody reveals that Sherman’s shifting reputation was formed by whoever controlled the message, whether it was the Lost Cause historians of the South, Sherman’s enemies in the North, or Sherman himself. With his famous “March to the Sea” in Georgia, the general became known for inventing a brutal warfare where the conflict is brought to the civilian population. In fact, many of Sherman’s actions were official tactics to be employed when dealing with guerrilla forces, yet Sherman never put an end to the talk of his innovative tactics and even added to the stories himself. Sherman knew he had enemies in the Union army and within the Republican elite who could and would jeopardize his position for their own gain. In fact, these were the same people who spread the word that Sherman was a Southern sympathizer following the war, helping to place the general in the South’s good graces. That all changed, however, when the Lost Cause historians began formulating revisions to the Civil War, as Sherman’s actions were the perfect explanation for why the South had lost. Demon of the Lost Cause reveals the machinations behind the Sherman myth and the reasons behind the acceptance of such myths, no matter who invented them. In the case of Sherman’s own mythmaking, Moody postulates that his motivation was to secure a military position to support his wife and children. For the other Sherman mythmakers, personal or political gain was typically the rationale behind the stories they told and believed. In tracing Sherman’s ever-changing reputation, Moody sheds light on current and past understanding of the Civil War through the lens of one of its most controversial figures.
Description : This book provides readers with an overview of how Americans have commemorated and remembered the Civil War. • Presents events related to the commemoration of public memory of the Civil War chronologically, from 1865 to the present • Illustrated with photographs of monuments, individuals, and events related to commemoration activities, as well as selected political cartoons related to Civil War memory from popular publications • Bibliography includes both primary and secondary sources on the subject of Civil War memory
Description : "Readers of this book who thought they knew a lot about the U.S. Civil War will discover that much of what they 'knew' is wrong. For readers whose previous knowledge is sketchy but whose desire to learn is strong, the separation of myth from reality is an important step toward mastering the subject. The essays will generate lively discussion and new insights." —James M. McPherson, Professor Emeritus, Princeton University
Description : The Journal of the Civil War Era Volume 2, Number 3 September 2012 TABLE OF CONTENTS Articles Robert Fortenbaugh Memorial Lecture Joan Waugh "I Only Knew What Was in My Mind": Ulysses S. Grant and the Meaning of Appomattox Patrick Kelly The North American Crisis of the 1860s Carole Emberton "Only Murder Makes Men": Reconsidering the Black Military Experience Caroline E. Janney "I Yield to No Man an Iota of My Convictions": Chickamauga and Chattanooga National Military Park and the Limits of Reconciliation Book Reviews Books Received Review Essay David S. Reynolds Reading the Sesquicentennial: New Directions in the Popular History of the Civil War Notes on Contributors The Journal of the Civil War Era takes advantage of the flowering of research on the many issues raised by the sectional crisis, war, Reconstruction, and memory of the conflict, while bringing fresh understanding to the struggles that defined the period, and by extension, the course of American history in the nineteenth century.
Description : The result of meticulous scholarship and decades of careful collecting to create a body of reliable information, this definitive, full-length biography of the enigmatic Confederate poet presents a close examination of the man behind the myth and separates Lost Cause legend from fact."--BOOK JACKET.
Description : This examination of the interaction between fictional representations of the Civil War and the memoirs and autobiographies of Civil War soldiers argues that veterans' accounts taught later generations to represent the conflict in terms of individual experiences, revealing how national identity developed according to written records of the past. Author Craig A. Warren explores seven popular novels about the Civil War--The Red Badge of Courage, Gone with the Wind, None Shall Look Back, The Judas Field, The Unvanquished, The Killer Angels, and Absalom, Absalom! His study reveals that the war owes much of its cultural power to a large but overlooked genre of writing: postwar memoirs, regimental histories, and other narratives authored by Union and Confederate veterans. Warren contends that literary scholars and historians took seriously the influence that veterans' narratives had on the shape and character of Civil War fiction. Scars to Prove It fills a gap in the study of Civil War literature and will appeal to those interested in the literature, military writing, and literary studies related to the Civil War.