The Obelisk Gate

"Intricate and extraordinary." - New York Times on The Fifth Season Continuing the trilogy that began with the award-winning The Fifth Season Winner of the Hugo Award Shortlisted for the Nebula, Audie, and Locus Awards The inaugural Wired.com book club book New York Times Notable Book of 2015 This is the way the world ends, for the last time. The season of endings grows darker, as civilization fades into the long cold night. Essun -- once Damaya, once Syenite, now avenger -- has found shelter, but not her daughter. Instead there is Alabaster Tenring, destroyer of the world, with a request. But if Essun does what he asks, it would seal the fate of the Stillness forever. Far away, her daughter Nassun is growing in power - and her choices will break the world. For more from N. K. Jemisin, check out: The Inheritance Trilogy The Hundred Thousand Kingdoms The Broken Kingdoms The Kingdom of Gods The Inheritance Trilogy (omnibus edition) Shades in Shadow: An Inheritance Triptych (e-only short fiction) The Awakened Kingdom (e-only novella) Dreamblood Duology The Killing Moon The Shadowed Sun The Broken Earth The Fifth SeasonThe Obelisk GateThe Stone Sky

This special boxed set includes the New York Times bestselling author N. K. Jemisin's complete, two-time Hugo award-winning Broken Earth Trilogy. This is the way the world ends. For the last time. A season of endings has begun. It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the earth is wielded as a weapon. And where there is no mercy. The Broken Earth trilogyThe Fifth SeasonThe Obelisk GateThe Stone Sky

Winner of the Hugo Award for Best Novel The second book in the record-breaking triple Hugo Award-winning trilogy The season of endings grows darker, as civilization fades into the long cold night. Essun has found shelter, but not her missing daughter. Instead there is Alabaster Tenring, destroyer of the world, with a request only Essun can grant. Praise for this trilogy: 'Amazing' Ann Leckie 'Breaks uncharted ground' Library Journal 'Beautiful' Nnedi Okorafor 'Astounding' NPR 'Brilliant' Washington Post 'Heartbreaking, wholly unexpected' Brian Staveley 'Awesome' Book Smugglers 'A powerful story of hope and survival' The Root The Broken Earth trilogy begins with The Fifth Season, continues in The Obelisk Gate and concludes with The Stone Sky - out now. Also by N. K. Jemisin: The Inheritance trilogy The Hundred Thousand Kingdoms The Broken Kingdoms The Kingdom of Gods The Dreamblood Duology The Killing Moon The Shadowed Sun

"Essun--once Damaya, once Syenite, now avenger--has found shelter, but not her daughter. Instead there is Alabaster Tenring, destroyer of the world, with a request. But if Essun does what he asks, it would seal the fate of the Stillness forever. Far away, her daughter Nassun is growing in power--and her choices will break the world"--

The incredible conclusion to the trilogy that began with the Hugo Award-winning The Fifth Season � Shortlisted for the Hugo, Nebula, Kitschies, Audie and Locus Awards � A New York Times Notable Book � The inaugural Wired.com book club pick The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women. Essun has inherited the phenomenal power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every outcast child can grow up safe. For Nassun, her mother's mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed. Praise for this trilogy: 'Amazing' Ann Leckie 'Breaks uncharted ground' Library Journal 'Beautiful' Nnedi Okorafor 'Astounding' NPR 'Brilliant' Washington Post

Visions of utopia – some hopeful, others fearful – have become increasingly prevalent in recent times. This groundbreaking, timely book examines expressions of the utopian imagination with a focus on the pressing challenge of how to inhabit a climate-changed world. Forms of social dreaming are tracked across two domains: political theory and speculative fiction. The analysis aims to both uncover the key utopian and dystopian tendencies in contemporary debates around the Anthropocene; as well as to develop a political theory of radical transformation that avoids not only debilitating fatalism but also wishful thinking. This book juxtaposes theoretical interventions, from Bruno Latour to the members of the Dark Mountain collective, with fantasy and science fiction texts by N. K. Jemisin, Kim Stanley Robinson and Margaret Atwood, debating viable futures for a world that will look and feel very different from the one we live in right now.

This edited collection examines the central role that webs of kinship and families play in the fiction of N.K. Jemisin, arguing that they ca function as centers of resistance, means of oppression, or both. In doing so, Jemisin's work challenges readers to re-imagine the intimate relations of their present.

Fiction and the Sixth Mass Extinction is one of the first works to focus specifically on fiction’s engagements with human driven extinction. Drawing together a diverse group of scholars and approaches, this volume pairs established voices in the field with emerging scholars and traditionally recognized climate fiction ('cli-fi') with texts and media typically not associated with Anthropocene fictions. The result is a volume that both engages with and furthers existing work on Anthropocene fiction as well as laying groundwork for the budding subfield of extinction fiction. This volume takes up the collective insistence on the centrality of story to extinction studies. In various and disparate ways, each chapter engages with the stories we tell about extinction, about the extinction of animal and plant life, and about the extinction of human life itself. Answering the call to action of extinction studies, these chapters explore what kinds of humanity caused this event and what kinds may live through it; what cultural assumptions and values led to this event and which ones could lead out of it; what relationships between human life and this planet allowed the sixth mass extinction and what alternative relationships could be possible.

WINNER OF THE HUGO AWARD WINNER OF THE NEBULA AWARD WINNER OF THE LOCUS AWARD FOR BEST FANTASY An Amazon Best Book of the Year The incredible conclusion to the record-breaking triple Hugo award-winning trilogy that began with the The Fifth Season The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women. Essun has inherited the phenomenal power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every outcast child can grow up safe. For Nassun, her mother's mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed. Praise for this trilogy: 'Amazing' Ann Leckie 'Breaks uncharted ground' Library Journal 'Beautiful' Nnedi Okorafor 'Astounding' NPR 'Brilliant' Washington Post The Broken Earth trilogy begins with The Fifth Season, continues in The Obelisk Gate and concludes with The Stone Sky - out now. Also by N. K. Jemisin: The Inheritance trilogy The Hundred Thousand Kingdoms The Broken Kingdoms The Kingdom of Gods The Dreamblood Duology The Killing Moon The Shadowed Sun

This book demonstrates how feminist utopias are united by an interest in replacing patriarchal masculinities with an improved, egalitarian alternative. It analyzes the centrality of such alternative masculinities to the ideal society and the ways feminist fiction contributes to discussions surrounding the ongoing crisis of American masculinity.

"In explaining why Vanbrugh's buildings look the way they do, Hart allows his novel architectural forms to be understood for the first time as expressions of the visual and psychological theories of his friend and fellow Whig Joseph Addison."--BOOK JACKET.

Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (included essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, this feminist, folkloristic approach deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly. However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today’s world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture’s still problematically reductionist approach to women and all humanity.

NOMINATED FOR AN NAACP IMAGE AWARD • An inspiring collection of essays by black women writers, curated by the founder of the popular book club Well-Read Black Girl, on the importance of recognizing ourselves in literature. “Yes, Well-Read Black Girl is as good as it sounds. . . . [Glory Edim] gathers an all-star cast of contributors—among them Lynn Nottage, Jesmyn Ward, and Gabourey Sidibe.”—O: The Oprah Magazine Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives—but not everyone regularly sees themselves in the pages of a book. In this timely anthology, Glory Edim brings together original essays by some of our best black women writers to shine a light on how important it is that we all—regardless of gender, race, religion, or ability—have the opportunity to find ourselves in literature. Contributors include Jesmyn Ward (Sing, Unburied, Sing), Lynn Nottage (Sweat), Jacqueline Woodson (Another Brooklyn), Gabourey Sidibe (This Is Just My Face), Morgan Jerkins (This Will Be My Undoing), Tayari Jones (An American Marriage), Rebecca Walker (Black, White and Jewish), and Barbara Smith (Home Girls: A Black Feminist Anthology) Whether it’s learning about the complexities of femalehood from Zora Neale Hurston and Toni Morrison, finding a new type of love in The Color Purple, or using mythology to craft an alternative black future, the subjects of each essay remind us why we turn to books in times of both struggle and relaxation. As she has done with her book club–turned–online community Well-Read Black Girl, in this anthology Glory Edim has created a space in which black women’s writing and knowledge and life experiences are lifted up, to be shared with all readers who value the power of a story to help us understand the world and ourselves. Praise for Well-Read Black Girl “Each essay can be read as a dispatch from the vast and wonderfully complex location that is black girlhood and womanhood. . . . They present literary encounters that may at times seem private and ordinary—hours spent in the children’s section of a public library or in a college classroom—but are no less monumental in their impact.”—The Washington Post “A wonderful collection of essays.”—Essence

Richard Barnes' book celebrates the long history and variety of Britain's obelisks, and pursues the absorbing question of why this feature of art and architecture has survived and thrived through the centuries.

Today’s readers of science fiction and fantasy have an appetite for stories that address a wide variety of voices, perspectives, and styles. There is an openness to experiment and pushing boundaries, combined with the classic desire to read about space ships and dragons, future technology and ancient magic, and the places where they intersect. Contemporary science fiction and fantasy looks to accomplish the same goal as ever—to illuminate what it means to be human. With a diverse selection of stories chosen by series editor John Joseph Adams and guest editor N. K. Jemisin, The Best American Science Fiction and Fantasy 2018 explores the ever-expanding and changing world of SFF today, with Jemisin bringing her lyrical, endlessly curious point of view to the series’ latest edition.