Description : Paul Kemp has moved from New York to the steamy heat of Puerto Rico to work at the Daily News. He starts hanging out at Al's Backyard, a local den selling booze and hamburgers to vagrant journalists who are mostly crazy drunks on the verge of quitting. Then he meets Yeamon, whose delectable girlfriend has Kemp stewing in his own lust. But the idle tension that builds up in places where men sweat twenty-four hours a day is reaching a violent breaking point.
Description : WITH AN INTRODUCTION BY JOHNNY DEPP A screenplay based on the novel by Hunter S. Thompson It's 1960. In a highrise hotel not far from the beaches of San Juan, a man is recovering from an animal of a hangover. Paul Kemp is an alcoholic journalist who's barely seen better days, arriving at the only job he can get: writing horoscopes for failing rag The Daily Star. His fellow hacks are mostly crazy drunks on the verge of quitting, so Kemp fits in perfectly. But when he meets the impossibly gorgeous Chenault and her flashy boyfriend Sanderson, Kemp finds himself in way over his head - party to shady business deals, in hair-raising car chases with enraged Puerto Ricans, experimenting with a hitherto unknown hallucinogen - and finally discovers a mad, desperate devotion to the truth. Bruce Robinson brings Hunter S. Thompson's novel to the big screen with all the brilliance, wild humour and fierce energy associated with the acclaimed writer and director of Withnail & I and The Killing Fields.
Description : Made into a major motion picture starring Johnny Depp, The Rum Diary—a national bestseller and New York Times Notable Book—is Hunter S. Thompson’s brilliant love story of jealousy, treachery, and violent lust in the Caribbean. Begun in 1959 by a twenty-two-year-old Hunter S. Thompson, The Rum Diary is a brilliantly tangled love story of jealousy, treachery, and violent alcoholic lust in the Caribbean boomtown that was San Juan, Puerto Rico, in the late 1950s. The narrator, freelance journalist Paul Kemp, irresistibly drawn to a sexy, mysterious woman, is soon thrust into a world where corruption and get-rich-quick schemes rule and anything (including murder) is permissible. Exuberant and mad, youthful and energetic, this dazzling comedic romp provides a fictional excursion as riveting and outrageous as Thompson’s Fear and Loathing books.
Description : Brazen, incisive, and outrageous as ever, Hunter S. Thompson is back with another astonishing volume of private correspondence, the highly anticipated follow-up to THE PROUD HIGHWAY. Spanning the years between 1968 and 1976, these never-before-published letters show Thompson building his legend: running for sheriff in Aspen, Colorado, creating the seminal road book FEAR AND LOATHING IN LAS VEGAS, twisting political reporting to new heights for ROLLING STONE and making sense of it all in the landmark FEAR AND LOATHING ON THE CAMPAIGN TRAIL '72. To read Thompson's dispatches from these years addressed to authors and friends, enemies, editors and creditors, and such notables as Jimmy Carter, Tom Wolfe and Kurt Vonnegut - is to read a raw, revolutionary eyewitness account of one of the most exciting and pivotal eras in American history.
Description : Examining a broad range of pop culture media-film, television, journalism, advertisements, travel writing, and literature-Fojas explores the United States as an empire and how it has narrated its relationship to its island territories.
Description : David Bellamy is a timid English orphan who starts a new life in Sydney with relatives he barely knows. It is the early 19th C., and David records daily life in this harsh colony as her perceives it, as well as events such as the Rum Corps rebellion.
Description : Long before the official establishment of the Commonwealth, intrepid pioneers ventured west of the Allegheny Mountains into an expansive, alluring wilderness that they began to call Kentucky. After blazing trails, clearing plots, and surviving innumerable challenges, a few adventurers found time to pen celebratory tributes to their new homeland. In the two centuries that followed, many of the world's finest writers, both native Kentuckians and visitors, have paid homage to the Bluegrass State with the written word. In The Kentucky Anthology, acclaimed author and literary historian Wade Hall has assembled an unprecedented and comprehensive compilation of writings pertaining to Kentucky and its land, people, and culture. Hall's introductions to each author frame both popular and lesser-known selections in a historical context. He examines the major cultural and political developments in the history of the Commonwealth, finding both parallels and marked distinctions between Kentucky and the rest of the United States. While honoring the heritage of Kentucky in all its glory, Hall does not blithely turn away from the state's most troubling episodes and institutions such as racism, slavery, and war. Hall also builds the argument, bolstered by the strength and significance of the collected writings, that Kentucky's best writers compare favorably with the finest in the world. Many of the authors presented here remain universally renowned and beloved, while others have faded into the tides of time, waiting for rediscovery. Together, they guide the reader on a literary tour of Kentucky, from the mines to the rivers and from the deepest hollows to the highest peaks. The Kentucky Anthology traces the interests and aspirations, the achievements and failures and the comedies and tragedies that have filled the lives of generations of Kentuckians. These diaries, letters, speeches, essays, poems, and stories bring history brilliantly to life. Jesse Stuart once wrote, "If these United States can be called a body, Kentucky can be called its heart." The Kentucky Anthology captures the rhythm and spirit of that heart in the words of its most remarkable chroniclers.
Description : For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone). This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone. In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”
Description : "Gets it all in: the boozing and drugging…but also the intelligence, the loyalty, the inherent decency." —Jonathan Yardley, Washington Post Hunter S. Thompson detonated a two-ton bomb under the staid field of journalism with his magazine pieces and revelatory Fear and Loathing in Las Vegas. In Outlaw Journalist, the famous inventor of Gonzo journalism is portrayed as never before. Through in-depth interviews with Thompson’s associates, William McKeen gets behind the drinking and the drugs to show the man and the writer—one who was happy to be considered an outlaw and for whom the calling of journalism was life.