Description : Love on the Dole (1933), the iconic novel about 1930s British working-class life, has a significant place in British cultural history. Its author, Walter Greenwood, went from unemployed Salford man to best-selling writer, and the novel has never been out of print. The 1935 stage adaptation was said to have been seen by three million people by 1940, including the King and Queen. Greenwood proposed a film adaption in 1936, but the story was pronounced too 'sordid' and depressing' by the British Board of Film Censors. However, in 1940 the Ministry of Information decided that this story of pre-war economic and social failure should be filmed as a contribution to the 'people's war'. It was widely regarded as one of the best British wartime productions - and all three versions of Love on the Dole were frequently referenced during wartime debate about how a reconstructed post-war society should make a repetition of the 1930s impossible. This study explores in detail what made this important text so influential, analyses the considerable differences between the novel, play and film versions and places the public response to Love on the Dole in its full historical context. It examines Greenwood's whole literary career and his continuing success until the 1960s: casting new light on his subsequent novels, plays and non-fiction works, few of which have received critical attention.
Description : An outstanding success on the English and American stages. Set in a manufacturing suburb of Manchester, is the story of respectable and responsible working-class people whose life is reduced to dogged survival. The older folks in the Hardcastle family are
Description : This work presents 369 British films produced between 1937 and 1964 that embody many of the same filmic qualities as those “black films” made in the United States during the classic film noir era. This reference work makes a case for the inclusion of the British films in the film noir canon, which is still considered by some to be an exclusively American inventory. In the book’s main section, the following information is presented for each film: a quote from the film; the title and release date; a rating based on the five-star system; the production company, director, cinematographer, screenwriter, and main performers; and a plot synopsis with author commentary. Appendices categorize films by rating, release date, director and cinematographer and also provide a noir and non-noir breakdown of the 47 films presented on the Edgar Wallace Mystery Theatre, a 1960s British television series that was also shown in the United States.
Description : This Encyclopedia is an indispensible reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over 1 million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in 3 volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngūgī Wa Thiong’o) and their key works Covers the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, sci fi, chick lit, the noir novel, and the avante garde novel) as well as the major movements, debates, and rubrics within the field (censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, Diaspora, and exile)
Description : 'The year has, indeed, begun in gloom. The King ill, and Kipling dead ...' so wrote the diarist Chips Channon in 1936 as George V lay on his deathbed at Buckingham Palace. The passing of two such pillars of the establishment sent tremors through the nation and heralded the ending of the old order. 1936 was to be an extraordinary year: at home social and constitutional crisis threatened, while in Europe, the dictators were on the march. It was the year of the abdication and civil war in Spain. The tectonic plates of history were shifting - Britain would never be the same again. The Last Dance is told using the accounts of those who lived through this turbulent period. Through extracts from diaries of shopkeepers, socialites, bishops, and volunteers in Spain, and the memoirs of the unemployed, housewives and hostesses, as well as the contemporary accounts of politicians, journalists and poets, Blakeway offers a compelling and vivid account of a turning point in our nation's story.
Description : Examines the key themes and traditions of Czech and Slovak cinema, linking inter-war and post-war cinemas together with developments in the post-Communist period.
Description : Clowns are far more vital in modern Anglo-Irish than in English drama. Age-old clown types can be recognized, and slapstick techniques recur time and again. But the functions of these modern clowns differ markedly according to the dramatic intentions of the author. Low comic entertainment, affirmation, contrast and satire are major functions of the clown from Boucicault to O'Casey. Although supposedly typical of the contemporary period, the -tragicomic-, symbolic role found in Beckett proves to be an exception in Anglo-Irish drama."