Description : Within these interviews, Soyinka is forthright, clear and eloquent. He addresses many facets of his writing and plumbs pressing issues of culture, society and community.
Description : Distinguished scholars analyze the plays, poetry, and prose of Wole Soyinka, winner of the Nobel Prize for literature in 1986. Essays trace his career and place his work in the general context of African literature.
Description : Soyinka's representation of postcolonial African identity is re-examined in the light of his major plays, novels and poetry to show how this writer's idiom of cultural authenticity both embraces hybridity and defines itself as specific and particular. For Soyinka, such authenticity involves recovering tradition and inserting it in postcolonial modernity to facilitate transformative moral and political justice. The past can be both our enabling future and our nemesis. In a distinctive approach grounded in cultural studies, Postcolonial Identity in Wole Soyinka locates the artist's intellectual and political concerns within the broader field of postcolonial cultural theory, arguing that, although ostensibly distant from mainstream theory, Soyinka focuses on fundamental questions concerning international culture and political identity formations – the relationship between myth and history / tradition and modernity, and the unresolved tension between power as a force for good or evil. Soyinka's treatment of the relationship between individual selfhood and the various framing social and collective identities, so the book argues, is yet another aspect linking his work to the broader intellectual currents of today.Thus, Soyinka's vision is seen as central to contemporary efforts to grasp the nature of modernity. His works conceptualize identity in ways that promote and modify national perceptions of 'Africanness', rescuing them from the colonial and neocolonial logic of cultural denigration in a manner that fully acknowledges the cosmopolitan and global contexts of African postcolonial formation. Overall, what emerges from the present study is the conviction that, in Soyinka's work, it is the capacity to assume personal and collective agency and the particular choices made by particular subjects at given historical moments that determine the trajectory of change and ultimately the nature of postcolonial existence itself.Postcolonial Identity in Wole Soyinka is a major and imaginative contribution to the study of Wole Soyinka, African literature, and postcolonial cultural theory and one in which writing and creativity stand in fruitful symbiosis with the critical sense. It should appeal to Soyinka scholars, to students of African literature, and to anyone interested in postcolonial and cultural theory.
Description : The Nigerian author discusses African literature and the writer's role in African society as the modern equivalent of the tribal historian
Description : "The text of a new lecture given by Soyinka at the Nigerian Institute of International Affairs. The pamphlet reflects on question such as in Soyinka's words: ""Shall we [Nigerians] ever arrive at an understanding of the futility of attempts to smother the expression of popular will...do we, or do we not need a radical shift that restores to us our stolen voices? Does the call for a national conference not ground itself in the illegitimate antecedence of our current democratic pretensions?"" Wole Soyinka is as a dramatist, poet, novelist, essayist, political activist and professor, perhaps Africa's most brilliant cultural ambassador and critic, and a notable commentator on world affairs. He is the only black African to have received the Nobel Prize for Literature."
Description : The book reconsiders Soyinka's contribution to the debate about African identity, exploring the various elements constituting his distinctive aesthetic and apprehension of African culture. It concentrates on his plays, his fiction and poetry and investigates his views on the relationship between myth, history, and modernity, primarily highlighting his conception of the nature of African post-colonial society and power. Also, the book looks at Soyinka's exploration of the metaphysical aspects of evil, particularly as manifested in political violence, and, in addition, it examines his belief in the irrepressibility of the human desire to transcend any form of political, spiritual and social oppression. Finally, it argues that Soyinka's major contribution to our understanding of contemporary African life and art lies in his attempts to move beyond the idea of identity as an opposition between Self and Other to a conception of identity in which such concepts are either themselves questioned or transferr