Description : Transforming the Center, Eroding the Marginsis a collection ofcritical articles about recent and contemporary German literaturedesigned to stimulate discussion about German-speaking culture from thepoint of view of diversity. The combination of broad historicalapproaches and detailed textual analyses made it possible to present inthis volume a spectrum of identities and positions within theGerman-speaking sphere, and sometimes even within the work of a singleauthor. Examining the works of German-speaking authors of differentbackgrounds and countries of residence from many different points ofview shows that the very concept of a unified "German Culture" is aconstruct.Because of the increasing visibility of various ethnic,religious, cultural, and economic groups -- including migrant workers,exiles, and immigrants -- multiculturalism and cultural diversity inCentral Europe have received considerable attention in public debatesince the disintegration of the Eastern bloc and the fall of the BerlinWall. Yet neither cultural diversity nor the gender issues examinedthroughout the volume are recent phenomena. Upon closer scrutiny thenotions of center and margin are shown to have origins in the nineteenthcentury and before.The articles in this volume, distinct in theirapproaches and each one concerned with specific situations, reveal anongoing decline of mainstream discourse: the erosion of the cultural"center," and a strengthening of what continues to be referred to as"marginal." The literary and intellectual production of groups that areseen as marginal is becoming ever more compelling and visible, as isdocumented in Transforming the Center, Eroding the Margins.
Description : The thesis will conclude by bringing together reflections on the political, social and therapeutic implications of writing personal life narratives, the limitations of reflexive research methodologies and knowledge-making, and the implications of lifewriting research for feminist scholarship, research and practice.
Description : In texts from the mid-Heian to the early Kamakura periods, certain figures appear to be "marginal" or removed from "centers" of power. But why do we see these figures in this way? This study first seeks to answer this question by examining the details of the marginalizing discourse found in these texts. Who is portraying whom as marginal? For what reason? Is the discourse consistent? The author next considers these texts in terms of the predilection of modern scholarship, both Japanese and Western, to label certain figures "marginal." She then poses the question: Is this predilection a helpful tool or does it inscribe modern biases and misconceptions onto these texts?
Description : This second edition of Women, Knowledge, and Reality continues to exhibit the ways in which feminist philosophers enrich and challenge philosophy. Essays by twenty-five feminist philosophers, seventeen of them new to the second edition, address fundamental issues in philosophical and feminist methods, metaphysics, epistemology, and the philosophies of science, language, religion and mind/body. This second edition expands the perspectives of women of color, of postmodernism and French feminism, and focuses on the most recent controversies in feminist theory and philosophy. The chapters are organized by traditional fields of philosophy, and include introductions which contrast the ideas of feminist thinkers with traditional philosophers. The collected essays illustrate both the depth and breadth of feminist critiques and the range of contemporary feminist theoretical perspectives.
Description : This book examines the cultural politics of knowledge in composition classrooms and presents classroom strategies that develop students' awareness of their own ideological subjectivities.
Description : This significant reader brings together for the first time the most important essays concerning the intersecting subjects of gender, space and architecture. Carefully structured and with numerous introductory essays, it guides the reader through theoretical and multi-disciplinary texts to direct considerations of gender in relation to particular architectural sites, projects and ideas. This collection marks a seminal point in gender and architecture, both summarizing core debates and pointing toward new directions and discussions for the future.
Description : New communication and information technologies provide distinct challenges and possibilities for the Chinese script, which, unlike alphabetic or other phonetic scripts, relies on multiple signifying principles. In recent decades, this multiplicity has generated a rich corpus of reflection and experimentation in literature, film, visual and performance art, and design and architecture, within both China and different parts of the West. Approaching this history from a variety of alternative theoretical perspectives, Beyond Sinology reflects on the Chinese script to pinpoint the multiple connections between languages, scripts, and medial expressions and cultural and national identities. Through a complex study of intercultural representations, exchanges, and tensions, the text focuses on the concrete "scripting" of identity and alterity, advancing a new understanding of the links between identity and medium and a critique of articulations that rely on single, monolithic, and univocal definitions of writing. Chinese writing—with its history of divergent readings in Chinese and non-Chinese contexts, with its current reinvention in the age of new media and globalization—can teach us how to read and construct mediality and cultural identity in interculturally responsible ways and also how to scrutinize, critique, and yet appreciate and enjoy the powerful multi-medial creativity embodied in writing.